A Quote by Ellen Burstyn
When I was 19, I took a train from Houston to New York, and I had in my lap the collected works of William Shakespeare. The play I read on that journey was 'Titus Andronicus.'
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I saw a production of 'Titus Andronicus' at the Royal Shakespeare Company with Brian Cox back in 1987. That sort of rocked my world. It was a remarkable production in its simplicity and its realism and passion.
Titus Andronicus, my lord the Emperor
Sends thee this word, that, if thou love thy sons,
Let Marcus, Lucius, or thyself, old Titus,
Or any one of you, chop off your hand
And send it to the King: he for the same
Will send thee hither both thy sons alive,
And that shall be the ransom for their fault.
I first arrived in New York in 1979. I was 19 and I was going to University in Houston, Texas, and I decided that I knew what I wanted to do and it was time to go and do it. I literally ran away from college.
I'm a girl from Sweden. I took a lot of risks and went to New York by myself when I was 19 just because I read about it in a few books. I came here knowing nobody, having no money, and now I'm doing all these things like making records and videos every day.
When I was 16, I moved to Torrance, California to train at a more advanced studio, and by 19, I joined the American Ballet Theatre in New York. It all happened so fast - it was pretty unheard of that someone could train for so few years and become a professional at one of the most elite dance companies in the United States.
In America, we happen to be living in a third world country from the point of view of economic and social development. I came back from New York yesterday and I took the fastest train in the country, the Acela. My wife and I took the New York-Boston train sixty years ago - it wasn't called the Acela then - and I think it's improved by about fifteen minutes since then. Any other country in the world would be about half the time. In fact when it's riding along the Connecticut turnpike it's barely keeping up with traffic, which is just scandalous.
I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.
When I went to prep school in New York City, I had to ride the subway and learned how to do homework on the train. I can work and read through anything.
My brother, who's a few years older then me, went to college in New York. He said all of these people from Saturday Night Live do improv together in Upright Citizens Brigade, and I thought, "Oh, that sounds really cool." So when I got braces and couldn't play music anymore, I said to my parents that I wanted to go to New York and take a class at that place. They were remarkably on board with it. I got on the train, went up, took a class and I loved it.
I've battled my weight since I was 12. My parents took to us to New York once, for a holiday, and there I'd buy fruit loops from a 24x7 shop and sit down with my books. I never played; I wasn't that kind of kid - I just read. I ate chocolates like peanuts. I was 86kg till I was 19.
My favorite play is Hamlet. It was my first love when it comes to Shakespeare, and I've read it and seen it performed more than just about every other Shakespeare play. I've had the "To be or not to be" monologue memorized since I was 15, and it's just really close to my heart.
I did a play in New York at the public theater, a Shakespeare play, and M. Night Shyamalan, who is the writer/director of 'The Village,' came and saw me in the play and asked to go to lunch afterwards.
I started as a model in Holland and Chanel took me to New York when I was 19, after which I decided to stay.
I've done a lot of Shakespeare onstage, and I'm not convinced that the Earl of Oxford was the author of all those works, but I am convinced that the Stratfordian William Shakespeare was not. My feeling is that it was an amalgamation of many writers, in the same way that most films are a collaborative endeavor.
I just did a play in New York which has been my best experience that I've had for maybe ever. It was Paul Weitz's play called Privilege and I was in New York for three months.
I just did a play in New York which has been my best experience that Ive had for maybe ever. It was Paul Weitzs play called Privilege and I was in New York for three months.
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