A Quote by Ellen DeGeneres
If you're going to be honest with yourself, you have to admit that you go into show business wanting people to talk about you and wanting everyone to know who you are. But that also means there are going to be a whole bunch of people who don't like you. No matter who you are.
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You know, if you're going to be honest with yourself, you have to admit that you go into show business wanting people to talk about you and wanting everyone to know who you are. But that also means there are going to be a whole bunch of people who don't like you. No matter who you are. I'm sure there's somebody out there who doesn't like Betty White because she's short and has white hair.
It was palpable, all that wanting: Mother wanting something more, Dad wanting something more, everyone wanting something more. This wasn't going to do for us fifties girls; we were going to have to change the equation even if it meant . . . abstaining from motherhood, because clearly that was where Mother got caught.
If you're not mechanically in the community with people from the community trying to talk about our party, talk about school choice, talk about SBA loans for business owners - if someone's not there, nothing is going to change. You also need to have the tone ... people believe obviously you like them. If people don't think you like them, then they're not going to vote for you.
Deep within us-no matter who we are-there lives a feeling of wanting to be lovable, of wanting to be the kind of person that others like to be with. And the greatest thing we can do is to let people know that they are loved and capable of loving.
You do what you're supposed to do, but you have to be honest about what they're doing. When you do a comedy show on a network the problem is there are going to be a bunch of people who aren't comedians that are going to tell you what's funny.
I made a film about adolescence and what going through it is like for a specific group of girls. Adolescence is always about wanting desperately to be individuals, and also about wanting desperately to fit in. For every teenager it's about finding that balance.
The whole notion of one person being enough for everything gets instantly challenged when you start to talk with somebody about wanting more or of wanting something else. They take it personally, feel like a failure or feel that they lack something, so you don't talk about it because you don't want to hurt, offend, or scare the other person. You also don't want to be rejected or have them leave you, whatever the reason.
I had spent my entire career not wanting to talk about weight, not wanting to deal with it, wanting to be an actor first.
I am going to tell you a secret. Everything is about wanting. Everything. Things happen because of people wanting. Watch closely, and you’ll see what I mean.
For years, people have been trying to talk to me about doing a show, and I wouldn't do one because I'm a serious business guy. I'm not going to do a stupid show. So, the opportunity came up with CNBC, and we started talking. It became a real business show. It's educational, people watch it, and it's great for small business.
Going back and forth between wanting to be respected artistically and wanting to move people is its own challenge.
Hope is wanting something so eagerly that-in spite of all the evidence that you're not going to get it-you go right on wanting it.
The whole point of being in the Army is wanting to get killed, wanting to test yourself to the limits. Now you have to fly 15,000ft above the war zone to avoid getting hit. I don't think there is any point in having wars if that's how you're going to behave. It's pathetic. All this whining!
No matter how much we're on our phones, going to the show is the goal - you look at things online and watch videos and read blogs and comment, all so that you can go in person and see it yourself, and meet these people in real life, and then so you can go home and talk about it again on your screen.
I was going to college. But to be, like, a psychologist, wanting to help people but also just kind of not being my parents.
It wasn't a leap for me to go from not wanting to be in my body as a teenager, not wanting to be in my house, to thinking, 'What would happen if I had disappeared?' And then going from writing scenes of angry kids to thinking a little more about the parents and what their lives would be like.
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