A Quote by Ellen G. White

God's eye does not slumber. He knows every sin that is hidden from mortal eye. — © Ellen G. White
God's eye does not slumber. He knows every sin that is hidden from mortal eye.
See what a hidden life the life of a good Christian is, and how much it is concealed from the eye and observation of the world. The most important part of the business lies between God and our own souls, in the frame of our spirits and the working of our hearts, in our actions that no eye sees except the all-seeing God. Justly are the saints called God's hidden ones, and His secret is said to be with them. They have meat to eat and work to do that the world does not know of, as well as joys, griefs, and cares that a stranger does not share.
The eye through which I see God is the same eye through which God sees me; my eye and God's eye are one eye, one seeing, one knowing, one love.
The eye of God! Think of that. Everywhere, in every house, in every field, in every room, in every company, alone or in a crowd, the eye of God is always upon you.
The great and secret message of the experiential mystics the world over is that, with the eye of contemplation, Spirit can be seen. With the eye of contemplation, the great Within radiantly unfolds. And in all cases, the eye with which you see God is the same eye with which God sees you: the eye of contemplation.
Within each of us exists the image of God, however disfigured and corrupted by sin it may presently be. God is able to recover this image through grace as we are conformed to Christ. Just as the figure of David lay hidden within the marble, discernible only to the eye of its creator, so the image of God (however tarnished by sin) lies within us, see and known by God Himself. Yet God loves us while we are still sinners. He doesn't have to wait until we stop sinning. Acceptance of His love is a major step along the road that leads to our liberation from the tyranny of sin.
If you cannot imagine with the mind's eye much more than you can see with the mortal eye, you have a very poor imagination indeed.
The artist does not see both eyes alike. There is always 'the eye' and the other eye... It adds life and plasticity to the drawing if the eye in the light is darker than the one in the shadow. It gives the head vividness.
Ahab cast a covetous eye at Naboth's vineyard, David a lustful eye at Bathsheba. The eye is the pulse of the soul; as physicians judge of the heart by the pulse, so we by the eye; a rolling eye, a roving heart. The good eye keeps minute time, and strikes when it should; the lustful, crochet-time, and so puts all out of tune.
Sin is to a nature what blindness is to an eye. The blindness of an evil or defect which is a witness to the fact that the eye was created to see the light and, hence, the very lack of sight is the proof that the eye was meant... to be the one particularly capable of seeing the light. Were it not for this capacity, there would be no reason to think of blindness as a misforture.
When a man is in God's grace and free from mortal sin, then everything that he does, so long as there is no sin in it, gives God glory and what does not give him glory has some, however little, sin in it. It is not only prayer that gives God glory but work. Smiting on an anvil, sawing a beam, whitewashing a wall, driving horses, sweeping, scouring, everything gives God some glory if being in his grace you do it as your duty.
Imagine an eye unruled by man-made laws of perspective, an eye unprejudiced by compositional logic, an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception.
On a spiritual level, it's as though with my sighted eye I see what's before me, and with my unsighted eye I see what's hidden. It's illuminated life more than darkened it.
I can act with either eye, but you've got to be twice as good as an actor to act with one eye. You need to put all your emotions just through one eye and really punch it out of that eye. I found it quite difficult to do at first, and then I found a technique that allowed me to act with one eye, which I patented.
An Italian proverb says, In men every mortal sin is venial; in woman every venial sin is mortal. And a German axiom, that There are only two good women in the world: one of them is dead, and the other is not to be found.
Imagine an eye unruled by man-made laws of perspective, an eye unprejudiced by compositional logic, an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of ‘Green?’ How many rainbows can light create for the untutored eye?
God knows Himself and every created thing perfectly. Not a blade of grass or the tiniest insect escapes His eye.
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