A Quote by Ellen Gallagher

When a writer makes something, it's theirs forever. That is the magic for me. — © Ellen Gallagher
When a writer makes something, it's theirs forever. That is the magic for me.
Magic has been around forever, and it's also been in trouble forever. I'm not suggesting that there was ever a time when the practice of magic was celebrated by those in power. Actually, such practices were routinely demonized by monarchs and organized religions precisely because magic is inherently democratic.
Acceptance is the magic that makes change possible. It is not forever, it is for the present moment
I have been a fan of movies from a very young age, and somehow, the magic of that - every single time I hear something or read something that could be made into a wonderful film or something somebody is asking me to be a part of - that connects. It just makes me feel like I'm going to be part of something magical again.
The persona of 'The Wonder Years' is something that's going to be with me forever. And I'm happy for that. It's nothing that I'd ever shy away from, and it makes me feel so good that it's something people still remember and talk about it and think of it so fondly.
Say the sea. Say the sea. Say the sea. So that perhaps a drop of that magic may wander through time, and something might find it, and save it before it disappears forever. Say the sea. Because it's what we have left. Because faced by the sea, we without crosses, without magic, we must still have a weapon, something, so as not to die in silence, that's all.
Ultimately, you've got to have something to say, so a writer should continue learning things throughout life. But I don't think education makes one a writer.
Do you hate me because I have magic?" "Of course not." "Do you love me despite my magic?" He thought a minute. "No. I love everything about you, and your magic is part of you. That was how I got past the Confessor's magic. If I had loved you despite your power, I wouldn't have been accepting you for who you are. Your magic would have destroyed me.
Every time we fix something that broken, whether it's a car engine or a broken heart, that an act of magic. And what makes it magic is that we choose to create or help, just as we can choose to harm.
For me, there is very little difference between magic and art. To me, the ultimate act of magic is to create something from nothing: It's like when the stage magician pulls the rabbit from the hat.
I have a Saint Laurent burgundy velvet jacket that has gold stars embroidered all over it and it's my magic piece of clothing that makes me feel like a wizard or something.
Love is a lot of magic and madness followed by marriage. These are the three M's for me. I think these three keep life intact. I am a very filmi person and would like the magic and the madness to remain in my marriage forever.
Magic wasn't something I had to go in search of; it was here, within me, all the time. When hearts are open, when love is flowing, magic happens.
If there is a magic in story writing, and I am convinced that there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.
It no longer makes me cry and die and tear myself to see her go because everything goes away from me like that now — girls, visions, anything, just in the same way and forever and I accept lostness forever.
What I teach is literary criticism and comparative literature and so on and that's my function, but from time to time it's possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.
Being thought of as sexy makes one employable, but it's not going to last forever, so I try not to think about it. It's like something that exists outside of me.
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