A Quote by Ellen Glasgow
I was always a feminist, for I liked intellectual revolt as much as I disliked physical violence. On the whole, I think women havelost something precious, but have gained, immeasurably, by the passing of the old order.
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Revolt, it will be said, implies violence; but this is an outmoded, an incompetent conception of revolt. The most effective form of revolt in this violent world we live in is non-violence.
We must realize that violence is not confined to physical violence. Fear is violence, caste discrimination is violence, exploitation of others, however subtle, is violence, segregation is violence, thinking ill of others and condemning others are violence. In order to reduce individual acts of physical violence, we must work to eliminate violence at all levels, mental, verbal, personal, and social, including violence to animals, plants, and all other forms of life.
My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence.
I was always a feminist. My mother was a feminist; my grandmother was a feminist. I always understood women had to fight very hard to do what they wanted to do in the world - that it wasn't an easy choice. But I think the most important part is that we all want the right to be taken seriously as human beings, and to use our talents without reservation, and that's still not possible for women.
I wish you would stop and seriously consider, as a broad and long-term feminist political strategy, the conversion of women to a woman-identified and woman-directed sexuality and eroticism, as a way of breaking the grip of men on women's minds and women's bodies, of removing women from the chronic attachment to the primary situations of sexual and physical violence that is rained upon women by men, and as a way of promoting women's firm and reliable bonding against oppression. . . .
I believe I was raised with feminist values, but I don't think I ever heard my Mom call herself a feminist. Before I identified as a feminist myself, I thought of feminism as more of a historical term describing the women's movement in the '70s but didn't know much about what they had done and didn't think it applied to my life at all.
Naturally my stories are about women - I'm a woman. I don't know what the term is for men who write mostly about men. I'm not always sure what is meant by "feminist." In the beginning I used to say, well, of course I'm a feminist. But if it means that I follow a kind of feminist theory, or know anything about it, then I'm not. I think I'm a feminist as far as thinking that the experience of women is important. That is really the basis of feminism.
For a lot of women who don't go to college, or for a lot of women who aren't in New York or D.C. or someplace where there's like a large feminist organization they can get involved in, they may be doing feminist work, right, like locally or with a grassroots organization or in their own lives, but if they don't have that support system and if they don't have that availability to feminist language, I think we're missing out on something.
In the past, I think I was scared of showing myself. I thought people disliked me because I received so much hate when I was young. But as I grew older, I realized that there were people who disliked me and people who liked me. So I learned that there was no need for me to be so conscious of what others thought about me.
A theme that has always interested me is how women express anger, how women express violence. That is very much part of who women are, and it's so unaddressed. A vast amount of literature deals with cycles of violence about men, antiheroes. Women lack that vocabulary.
I don't know if I'm a feminist, as much as I really love being a woman and I'm proud to be a woman. I love everything about it. That might come closest. I definitely have nothing against men or men having their power. I do think that the whole thing with equal rights and paying women equally, it's disgusting. I think in this day and age, if you still have issues with women, then that's weird. I'm definitely for women winning. We're such a wild species, we have so much to offer. I'm all about that - being for ourselves.
I don't think women are that vastly different from men. I'm a bit of a woman myself. But I'm not a feminist filmmaker. I'm not making a feminist thesis to prove that women are important. I just happen to make films with strong characters that are women.
Norman Mailer loved women so much. I mean probably more than anything in the world he loved women. He got put into a position where he was kind of seen as the anti-feminist, although he was for the feminist movement. He just didn't want people to get consumed with the idea that this was going to be much better. He said, "Look, women should be treated equally and fairly."
It's true that in a lot of western feminist movements, you see women working singularly from men. Suffragettes and the women's rights movement in the 60s here, but when I think of the Islamic feminist movement, I think of a lot of men who are very much standing with the women. It really feels like in equal numbers. Women are catching up in the field because we were not given access to knowledge and encouraged into these studies and so these men are helping us and empowering us. They are men of conscience who are fed up with this assumption that they're entitled.
To revolt within society in order to make it a little better, to bring about certain reforms, is like the revolt of prisoners to improve their life within the prison walls; and such revolt is no revolt at all, it is just mutiny. Do you see the difference? Revolt within society is like the mutiny of prisoners who want better food, better treatment within the prison; but revolt born of understanding is an individual breaking away from society, and that is creative revolution.
There was no real strategic decision about editorial tone. It was kind of a write whatever you want to write, and we'll see how it goes. I think that we lucked out in that all of the women who started writing at Feministing.com were really funny, and I don't think that's something people are used to seeing or hearing when they read feminism. You know, you think feminism and you kind of think academic, women's studies, dry, humorless; there are all of these stereotypes that go along with what feminist thought is and what feminist writing is.
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