A Quote by Ellen Glasgow

Doesn't all experience crumble in the end to mere literary material? — © Ellen Glasgow
Doesn't all experience crumble in the end to mere literary material?
Of course Nebraska is a storehouse of literary material. Everywhere is a storehouse of literary material. If a true artist were born in a pigpen and raised in a sty, he would still find plenty of inspiration for his work. The only need is the eye to see.
Experience is a mere whiff or rumble, produced by enormously complex and ill-deciphered causes of experience; and in the other direction, experience is a mere peephole through which glimpses come down to us of eternal things.
Throw yourself into the hurly-burly of life. It doesn't matter how many mistakes you make, what unhappiness you have to undergo. It is all your material ... Don't wait for experience to come to you; go out after experience. Experience is your material.
I must take issue with the term 'a mere child,' for it has been my invariable experience that the company of a mere child is infinitely preferable to that of a mere adult.
I must take issue with the term 'a mere child', for it has been my invariable experience that the company of a mere child is infinitely preferable to that of a mere adult.
The edifice of science not only requires material, but also a plan. Without the material, the plan alone is but a castle in the air-a mere possibility; whilst the material without a plan is but useless matter.
The material of literary talent is words; the material of story talent is life itself.
The short story is not as restrictive as the sonnet, but, of all the literary forms, it is possibly the most single-minded. ...at the end there has to be the literary equivalent of the magician's puff of smoke, an outcome that is both startling and anticipated.
The Booker thing was a catalyst for me in a bizarre way. It’s perceived as an accolade to be published as a ‘literary’ writer, but, actually, it’s pompous and it’s fake. Literary fiction is often nothing more than a genre in itself. I’d always read omnivorously and often thought much literary fiction is read by young men and women in their 20s, as substitutes for experience.
The nation as the horizon of an identity that you want to come into being as a fundamental absence of something that is compromised, something that needs to be rescued or made - these matters preoccupy the third world writer. It is seductive for a Marxist understanding of literary practice and production in the sense that it says that material culture determines literary output.
Metaphor is not, and never has been, a mere literary term. It is an event.
More often than not, the experience of shooting the movie has been disappointing and the end product has been a mere shadow of what I hoped it would be. But immersing myself in the story - that's what I like best of all.
I say quotations are literary. They are good only when dealing with ideas, not with experience. Experience should be pure, unique.
When the road you're on begins to crumble, forge ahead - better it crumble behind you than ahead of you.
Mere literary talent is common; what is rare is endurance, the continuing desire to work hard at writing.
I want my books to exist in the literary world, not only in the art world. I am interested in having a dialogue with other writers, and the readers of those writers. Someone who is reading a book of mine might not have visited my exhibitions related to it, but can still have a full, literary experience with that book. This would be a completely different experience from stepping into the show, not having read the book. One form is not illustrative of the other.
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