A Quote by Ellen Hopkins

Funny thing about the monster. The worse he treats you, the more you love him. — © Ellen Hopkins
Funny thing about the monster. The worse he treats you, the more you love him.
The monster behind the wall stirred. I'd come to think of it as a monster, but it was just me. Or the darker part of me, at least. You probably think it would be creepy to have a real monster hiding inside of you, but trust me - it's far, far worse when the monster is really just your own mind. Calling it a monster seemed to distance it a little, which made me feel better about it. Not much better, but I take what I can get.
The thing I never understood about love is that it can't be quelled, like lust can. With love, if you follow its call, if you give in to it, it just gets worse. The more you have, the deeper you go, the more you need.
That’s why it was so impossible to tell him goodbye — because I was in love with him. Too. I loved him, much more than I should, and yet, still nowhere near enough. I was in love with him, but it was not enough to change anything; it was only enough to hurt us both more. To hurt him worse than I ever had.
The thing about For Better or Worse is the only thing that made me an okay director for that is that I have a sense of humor, and it was supposed to be funny.
My favorite monster has always been the zombie. They are so much fun. They can be scary, pathetic, sad, funny, tragic, even heroic. They are the most elastic monster because, even with all of that, they don't interfere with telling stories about the humans. They serve as threats and metaphors, but they allow the story to be about people.
In Season 1, Will is more shy and reserved, and then in Season 2, after the monster attacks him and takes over his body, Will gained more courage and became braver. Throughout Season 3, you see how the monster's still lingering inside him, and how he deals with that. Because he's not fully better.
The monster does not need the hero. it is the hero who needs him for his very existence. When the hero confronts the monster, he has yet neither power nor knowledge, the monster is his secret father who will invest him with a power and knowledge that can belong to one man only, and that only the monster can give.
one thing about having a baby is that each step of the way you simply cannot imagine loving him any more than you already do, because you are bursting with love, loving as much as you are humanly capable of- and then you do, you love him even more.
Snoop Dogg is hilarious. T.I. is really funny. Who else? 50 Cent is hilarious. Jay-Z is funny. I've met him, but he's funny in interviews. He was funny when I saw him, too. Ludacris is funny. Everybody is. Rappers are funny, a lot of them.
One thing that's a lot harder to put into stories than you'd think is the idea of a traditional monster, because monsters with a capital 'M' don't inherently lend themselves to a story about your character. Unless one of your characters is themselves the monster, simply having a monster leads to a chase or a hunt.
I would love to do a movie with Albert Brooks; we're so different, but I find him so funny, and I can be just as seemingly narcissistic as he comes off, the 'it's all about me' kind of thing.
All too often, I will see people on the left slam Trump for the way he treats or talks about other people. Then those same individuals - sometimes even in the same breath - will go on to say even worse things about the people who voted for him.
I get that people are worried about their mortgages and bills that have to be paid. They don't have time to worry about the Syrian refugees, and I get that. The thing about it is, when it gets worse and worse and worse and down the line, it's no longer restricted to these places.
People look at me as if I were some sort of monster, but I can't think why. In my macabre pictures, I have either been a monster-maker or a monster-destroyer, but never a monster. Actually, I'm a gentle fellow. Never harmed a fly. I love animals, and when I'm in the country I'm a keen bird-watcher.
When I made 'Monster,' I didn't think about it being about a woman. I didn't think about that she was a lesbian. I was telling a story about a specific person who was tragic and looking for love in the world, and the more I could make her you, the more of a victory.
No more Dane,” he eventually said with unnerving finality. I tried to be funny. “I can't decide if that means you don't want me to see him again or if you're planning to kill him.” “It means if the first thing happens, the second thing is likely to follow.
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