A Quote by Ellen Hopkins
The monster likes to talk; he jumps into your head and opens your mouth, making it spout your deepest darkest deceptions. Making you say all the things you'd rather not say, at least not in mixed company." (Ellen Hopkins)
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I'm definitely an anomaly, but I'm making things. They're selling, say, martinis, and I'm kind of making vintage Riesling. People aren't going to sit there very often, not your average public, and your average music-business monster is not going to take the time to notice the overtones and the undertones inside the flavor. They'd rather just have the martini.
You talk to the boss about your ideas and things like that, and all he can say is yes or no. I mean, you don't open your mouth, you don't give him your ideas, you're not really trying.
You don't always talk with your mouth. Sometimes what you say with your mouth hardly matters at all. You have to signify
It didn't matter whether he was nearby or far away. His image would drift up into your mind just when you least expected it, shocking you, making your chest pound. Making your heart ache.
The pleasure of making things beautiful or useful involves your feelings as well as your thinking. When your original sketch evolves into a tangible, three-dimensional object, your heart is anxiously following the process of your work. And the love involved in making it is conveyed to those for whom you made it.
Your deepest, darkest sins and your shameful secrets are simply irrelevant when it comes to the counterintuitive, ecstatic announcement of the gospel. So are your goodness, your rightness, your church attendance, and all of the wise, moral, mature decisions you have made and actions you have taken.
Here's what I'm going to have to say to all of you. If some of you have demons in your head who talk to you in profanity or whatever, don't let your demon shoot down your rock music, don't let your demon keep you off the joy bus. So like I say, Rock music pays off.
Racing serves as a formal demonstration of your ability to ride the three-headed monster. The first monster is your physical preparation-lifting weights for strength, running for endurance, working on your technique. The second monster is your mental preparation-all our jabbering about humility, battling for your life, taking complete responsibility for the outcome. The last monster is your X Factor, your soul, your courage. Taken altogether, I call this three-headed monster the Process of Winning.
As the head of the public company, you can't say you can't sell, because then you're telling your shareholders that your own personal feelings about your assets are more important than their money. And they won't invest with you if you do that.
By your words, you form your destiny - what you say within yourself determines the end promise of your life! Your future lives in your mouth!
Talk about putting your money where your mouth is. It's not right. Someone's gotta say it. They said it. I applaud them.
Coaches? They can talk. I tell them: 'Just make sure before you open your mouth you've researched what you're about to say. Don't just say stuff. And if you don't have anything good to say, don't say anything.'
Turning pot handles the other way around on the stove, making sure you talk with your family and kids directly about fire safety and about kitchen safety, keeping your tree at least three feet from a heater or any kind of lights or flames, making sure that candles aren't left unattended. It's all things that we should know and we think about initially, but during the holidays, in the commotion it seems to get kind of lost.
A few years ago, I had an interest in making things that felt more like "pieces." That was when I was making a lot of stuff that you could call beats, and it dawned on me that I could say much more nuanced, precise things if I tried to make them more composed. It sounds a bit corny, but I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.
You say what you want to say when you don't care who's listening. If you're grasping to get your own voice, you're making a strained attempt to talk, so it's a matter of just listening to yourself as you sound when you're talking about something that's intensely important to you.
Don't say giddy-up to your mouth before your head is hitched up.
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