A Quote by Ellen Hopkins
She is angle. I am curve. Together, we are geometric sculpture, and we make perfect sense.
Related Quotes
They certainly aren't connected with the old geometric art. My work isn't geometric in that sense.
She put out her hand and touched his forearm, as she would have touched some piece of porcelain or sculpture, just for the sheer animal pleasure of feeling its shape and curve beneath her fingertips.
My forms are geometric, but they don't interact in a geometric sense. They're just forms that exist everywhere, even if you don't see them.
It is not the right angle that attracts me, nor the straight line, hard and inflexible, created by man. What attracts me is the free and sensual curve - the curve that I find in the mountains of my country, in the sinuous course of its rivers, in the body of the beloved woman.
We are headed toward 'perfect capitalism,' when the laws of supply and demand become exact, because everyone knows everything about a product, service or customer. We will know precisely where the supply curve meets the demand curve, which will make the marketplace vastly more efficient.
Angle of Repose is one of my favorite books. I fell in love with it in college. When I submitted The Night Journal to my agent she got very excited because she said it reminded her of Angle of Repose.
I fly in dreams, I know it is my privilege, I do not recall a single situation in dreams when I was unable to fly. To execute every sort of curve and angle with a light impulse, a flying mathematics - that is so distinct a happiness that it has permanently suffused my basic sense of happiness.
I think very few people do find a relationship where, every moment of every day, everything they do comes together. That's why, in a nutshell, everyone loved Barbara in 'The Good Life.' She was the perfect partner. It was a formula. She wasn't glamorous. She wasn't clever. But she was a good partner. That's too easy, too perfect.
Photography is not easy. You know it takes a painter or a sculpture or a musician years to perfect their technique. Then they're free to make an expression in a matter of moments. It takes moments for a photographer to perfect his technique. And then it takes years for him to make it into something that is truly creative and worthwhile.
More often than not, changes had to be made in order for a song to make sense, and by the end of it, it would just be something different. Lyrically, I am usually fairly confused until something is finished, and then it makes perfect sense to me.
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
In Portugal, my sculpture 'She Changes' refers to the town's fishing history, to the era of seafaring trade and discovery. The contemporary site is industrial, surrounded by red and white striped smokestacks, which is mirrored in the pattern of the sculpture.
[I have a] way of making narrative sculpture, where first you make a text and out of that text you make objects. [...] I start with a story and then I make sculpture from that story, it's just that the stories become more and more elaborate.
The sense of ultimate truth is the intellectual counterpart of the esthetic sense of perfect beauty, or the moral sense of perfect good.
I like to make sculpture because it makes my life social. When I make drawings, I work alone. When I work with sculpture I have someone I can work with.
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