A Quote by Ellen McLaughlin

One of the reasons I admire David Lindsay-Abaire's work is that he, like the Greeks I've spent so much of my professional life contemplating, is not afraid of taking on the big stuff - huge, human, moral issues - what do we owe to those we love?
I'm a huge David Lindsay-Abaire fan. If I could write, I would want to write like him.
According to Life & Style Weekly, 50 Cent may be working on Lindsay Lohan's next album. Finally, a match made in rap heaven. He's a convicted drug dealer who's been shot nine times, and she spent 84 minutes in prison. This is a big step for Lindsay. The last time Lindsay got near a black guy she ran over his foot.
Could truth perhaps be a woman who has reasons for not permitting her reasons to be seen? Could her name perhaps be--to speak Greek--Baubo?... Oh, those Greeks! They understood how to live: to do that it is necessary to stop bravely at the surface, the fold, the skin, to adore the appearance, to believe in forms, in tones, in words, in the whole Olympus of appearance! Those Greeks were superficial--out of profundity!
I'm afraid of taking steps that are not on the map, but by taking those steps despite my fears, I have a much more interesting life.
One of the main reasons I wanted to work on 'World War Z' was because I'm a huge fan of the book, and I love the idea of taking a non-linear story and creating a three-act structure out of it.
I think all those years that I spent as a nurse, from the age of seventeen, just allowed me an insight into human emotion at those times of life when it's so important. And to see and witness those times of grief and love and loss and all those things was such a huge privilege, both in my own personal life, but it also, I think, spills over into my writing. I think the one thing that most novelists have is some degree of emotional intelligence, and if you don't have that, then perhaps you might struggle to be a novelist, because that has to come out somewhere.
I love clothes but I have spent so much of my professional life creating an image of one kind or another that it is nice not to care about it in life and let your skin breathe.
The western nations of Europe, who now so immeasurably surpass their former savage progenitors, and stand at the summit of civilization, owe little or none of their superiority to direct inheritance from the old Greeks, though they owe much to the written works of that wonderful people.
I love my 'Survivor's Remorse' cast. They are so funny and crazy, like a big dysfunctional family. It's so much fun, and I love the issues that we talk about on that show. We deal with nuanced and controversial issues, and we do it in a way that's funny. It's comedy.
I got the big BMW X5, and I didn't like it. It was just too big, and I didn't feel comfortable driving it. It was taking up too much room, and I was afraid I was going to smash into something.
Under Wenger I became the player that I am today because he's the guy that signed me at 16. I owe him a lot and all the time I spent here he made me play so much even when I was really young. Those are things you owe him back.
Money solves a lot of problems and when you don't have money, you've got to do all this other stuff to solve the problem. It's very hard. I would love to have not necessarily a studio because then you lose so much control but I would love to have decent independent financing where I have the freedom and I have the money to do it right, to not be asking people to work for free or to work for half the rate and not ask those favors again and again because I now owe all these people back who've helped me.
The most disturbing part of working on all these issues is the amount of money spent by corporations to confuse, mislead and misinform the public. This is one of the reasons why we are always taking two steps forward and three steps back.
every issue that we deal with in this country has a moral component to it. And so, to divorce a moral component to the debt burden we're leaving the next generation, the tax structure to how we spend our money in Washington, and how we - you know, how we value human life - I mean, all of those things, to me interrelate. They're not - they're not separate issues.
Sometimes you have producers tell you 'I'm a huge fan, I'm a huge fan.' But David Guggenheim, I have so much love for this dude.
After doing an honest evaluation of myself, I recognize that there are certain issues that I need to work on. Like everyone, I have my flaws, and I do not want to be one of those people that is afraid to admit and address those flaws.
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