A Quote by Ellen McLaughlin

I'm an actor and a playwright, and I don't earn much. — © Ellen McLaughlin
I'm an actor and a playwright, and I don't earn much.
You're not simply entitled to be an actor - you're not an actor just because you call yourself one - you earn it. You earn it by working.
Theatre is an actor's medium though behind the stage there is a playwright, director and perhaps in some, a music composer too, yet the actor is the one who ultimately tells the story to the viewers.
When I was 18 and not sure whether I wanted to be an actor, I realised that a playwright has no voice without an actor. That's my reason for acting: to get that character as right as possible for my writer. And I have never changed my philosophy.
I'm just a Chicago actor who's a playwright. Even with the success of 'August,' the people in town who come to our theater know me by sight, because they've seen me onstage so much.
A play has two authors, the playwright and the actor.
But let me offer you my definition of social justice: I keep what I earn and you keep what you earn. Do you disagree? Well then tell me how much of what I earn belongs to you - and why?
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
Stage is the place of the playwright: you're guided by great actors and directors, but it's the playwright's word on the page that counts.
I find it very invigorating having Ken Lonergan, who's an established, Pulitzer-nominated playwright doing Howards End, or Chris Hampton who's won an Oscar writing a TV series, or having an actor like Mark Rylance, who is probably England's leading theater actor, in the lead in Wolf Hall.
I do come from a theater background, where the playwright is optimal and king and you have to serve the playwright. So I am, of course, a huge fan of scripted everything.
I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
How much should you earn? As much as you possibly can. It doesn't matter whether you earn $10,000 a year or $100,000 a year as long as you've done the best you can.
When I get asked the question, "Do I want to loan you money?" I want to know, how much do you earn? How much do you owe? What is your net worth? When people talk about countries for some reason they only ask how much did you earn and what's your debt?
I am not a playwright. A playwright would take "Antigone" and hit it a few clouts and knock it out of shape and restructure it. My versioning was strictly verbal.
I want to be a commercially viable actor. I want that the distributors and producers should earn the money; then only, you become a bankable actor.
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