A Quote by Ellen Stofan
It's part of the human character to want to know what's over the next hill, to want to know what's beyond.
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If you want to know who God is, look at Jesus. If you want to know what it means to be human, look at Jesus. If you want to know what love is, look at Jesus. If you want to know what grief is, look at Jesus. And go on looking until you’re not just a spectator, but you’re actually part of the drama which has him as the central character.
I want the kids who watch 'One Tree Hill' to know that it's all pretend, and that the person at the core of that character values morals, honor and things like that. You want to inspire them to look beyond what is superficial and try to find that greater thing.
Somewhere in me is a curiosity sensor. I want to know what's over the next hill. You know, people can live longer without food than without information. Without information, you'd go crazy.
I know as a consumer I want a story. I want a defining - I don't want just an album full of singles. I want to get to know the artist beyond what everyone else can hear on the radio.
I'm really hopeful about the future of space exploration and human spaceflight. Civilization as we know it has been defined by exploration. You know, we need to go off and find out what's around the next corner and what's just beyond what we already know. It's part of our being; it's part of our moral fiber to go off and explore.
You get to know a character that you play on-stage in a pretty profound way over a length of time. I don't want to sound highfalutin and say you become the character, you just start bringing more and more of yourself to the part until the character and actor, it's hard to tell them apart. It's some weird amalgam. In film, because of the period of time, I don't know that you ever get that deep into it.
I get vested in my guys. I want to know who their family members are, I want to know their interests, I want to know what makes them tick. I want them to also know I care about the other side of them, their personal character and growth as men, because I think we all sharpen each other that way.
The analogy I use is that 'World of Warcraft' is like going to the mall: you see a ton of people there, but you don't really want to interact with them; you just want to know you're part of the human race. And if you get in trouble, you'll know someone else is there.
It must be around forty, when you're "over the hill." I don't even know what that means and why it's a bad thing. When I go hiking and I get over the hill, that means I'm past the hard part and there's a snack in my future. That's a good thing as far as I'm concerned.
There's this thing in TV that I find hysterical where the writers and creators will ask us if you want to know what happens to your character or if you want to experience it episode by episode. In the theatre, we always know the ending; we always know where the character is going.
I know there's a part of the feminist world that is like, "Hey, screw 'em, we'll do our own thing over here," and I can see there's a value in that. But a kind of nudgy part of me thinks: No. I want access, and I want my daughters to have access to the exact same thing, because we all know there's no such thing as separate but equal.
I do not want to know what you will hope for. I want to know what you will work for. I do not want your sympathy for the needs of humanity. I want your muscle. As the wagon driver said when they came to a long, hard hill: ‘Them that’s going on with us, get out and push. Them that ain’t, get out of the way’.
And I really suspect that of all the things we think we want to know, the only thing we really want to know is that we are loved. And if Jesus means anything, he means that you are loved. I hope you know that. And I hope you stop worrying about all the stuff you don't know, because I don't think it amounts to a hill of beans.
You know when you've found a part that you want to play. You know it because the part takes you over. It sits in the script waiting for you to play him.
I stopped acting when I was about nineteen, twenty, when I got thrown out of college. I did act for about ten years. I don't know. I suspect I'm still a reasonably good actor, but I don't really know that I want to get on the stage again ... and having to say all those boring words by me over and over again ... I don't know if I want to do that. Also, I like a certain amount of freedom of movement, and if you're acting, you're stuck in one place for a long time. Having said that, I will probably be onstage next fall.
I know Dark Phoenix is a huge part of the X-Men saga, so I'm assuming they're at least going to want to touch on it, but I don't know and I don't know whether I would want to be involved. That depends on many different things.
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