A Quote by Ellie Goulding
Every so often I'll go back down to earth and I'll make reference to a phone or a house or something, something that's a bit more real. But I suppose what that does, is it puts you in a surreal place but also my music doesn't get too carried away in that sense, which I quite like.
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I get moments where you slide and there's an adrenaline shoot, but the moment you scare yourself is the moment you give up. I think what probably scares me more, is that you're involved in something that is quite surreal and you have to be able to bring yourself back down to earth and that's where when you come home and your kids are just excited to have daddy home and tell you about their day, that's one of the greatest things to bring you back down to earth.
I've never quite worked out how to do holidays. I've got a house in France which I suppose is a kind of holiday house. But it's really only so I can go on drawing when I get there. I'm never far away from the feeling that I want to be getting on with something.
Now, suppose a Negro does something really magnificent, and I glory, not in the benefit to mankind, but in the fact that the doer was a Negro. Must I not also go hang my head in shame when a member of my race does something execrable? . . . The white race did not go into a laboratory and invent incandescent light. That was Edison. . . . If you are under the impression that every white man is an Edison, just look around a bit.
I think that there are quite a few acts which have stayed with the basic feelings and that's good. And I see something of a swing back to that. For example there are quite a few people copying my early stuff now. Like it's become a reference point or something.
I know where my heart is and I know that I can make people feel something with my music. I'm quite confident in what I am doing, so if I can also make a song that people want to put in ten times during a party and makes them happy, then I think that is also good. I feel that playfulness is something that has entered my life a lot more in the last couple of years. I'm not taking everything too seriously. I think that is something that comes with age - I hope. I feel that music is much more fun for me than it has ever been.
I do triage on everything that comes through the door, and if it's not something we need (now, for real-not maybe someday) or something that deserves to be saved for posterity, it's discarded. I stop before I let myself drop something into a drawer or set it down on the piano. 'Where does it belong?' I think. If I don't have a place for it, I make a place.
I'm not a technical person, at all, but you get a little bit more of a sense for how to get something done a little bit more efficiently. I think everybody is in that place where it's a little bit more efficient, but the process is still the same, which is still loose and collaborative.
I loved taking off. In my own house, I seemed to be often looking for a place to hide - sometimes from the children but more often from the jobs to be done and the phone ringing and the sociability of the neighborhood. I wanted to hide so that I could get busy at my real work, which was a sort of wooing of distant parts of myself.
I do it when I'm a preparing for a role quite a bit - I sit with music. It helps influence the discovery of something. Then sometimes during filming I like to listen to the same things. It brings me back to a place where I just feel more creative and focused.
I get so carried away in interviews and deliver 1,500-word treatises, then find it's been reduced to something pithier but also not quite accurate. Although I imagine there are people I work with who wish they could edit me every day.
I'd like it to be a bit of everything, the kind of music you can dance to, but also something a bit more personal, that you can listen to in other contexts. I think it's very important to maintain the contrasts between the different types of music that I make.
Time is like a river made up of the events which happen, and a violent stream; for as soon as a thing has been seen, it is carried away, and another comes in its place, and this will be carried away too.
It's not often that you get to read something that just feels very original for a star but also something that feels like it's more than just a movie or entertainment. Even though the riots were one of the most pivotal riots in civil rights history, especially for the LGBT community, I knew surprisingly very little about them. You don't learn about Stonewall in schools. It's a bit gross really! So it certainly felt like something that was quite important.
It's quite nice to have something where you can be a bit naughty if you have a twinkle in your eye and you can get away with things a bit more and that's what 'The Choice' is about.
I guess something that I've noticed from American acts who had success in touring is more of an explanation as to their music. Which is I think quite funny. I think British acts might like to leave more to the imagination - maybe a bit more obscure perhaps - a bit more shy.
How do you explain to somebody who doesn't understand that you don't build a library to read. A library is a resource. Something you go to, for reference, as and when. But also something you simply look at, because it gives you succour, answers to some idea of who you are or, more to the point, who you would like to be, who you will be once you own every book you need to own.
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