A Quote by Ellie Goulding

I've always said that Adele has turned so many people on to British singers - whether female singers or just like music from this country in general. — © Ellie Goulding
I've always said that Adele has turned so many people on to British singers - whether female singers or just like music from this country in general.
There are so many soulful singers, even the ones coming from London, like Adele and Jessie J, who are just amazing. It feels like a really cool time to be making music now.
I just essentially stayed at home for three years and just learned to play as many instruments as I could and listened to as many singers as I could. Like, when I got to about 19/20, I started listening to singers. I normally just listened to bands. Now I listen to a lot of old singers, not a lot of new stuff.
I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do - and obsessive listening. I think that's the core of my work on music - has been just listening to things and listening to singers.
A lot of the new people they choose on shows like 'American Idol' and things like that - I don't ever hear lead singers. They always seem to choose to pick people that are great singers, fabulous singers, but they've never got the voice that makes a great lead singer.
It's funny: when I was a kid, my mom would reorganize the record collection all the time. She'd have classical, she'd have Celtic, she'd have rock and roll, and then she'd have female singers. And I don't like it that female singers are their own genre.
There are so many people in this world that have the look and have talent, and yet they keep putting out this teenybopper singers that have no vocal capability at all. Sometimes I think there's no real music anymore. We don't have singers like we did back in the day. Music is supposed to convey a message. Music is supposed to make you feel a certain way. Now, I don't want to hear about big bootie shaking on the floor. Music just isn't what it used to be. I think that with the times changing, labels do actually need to get that and stop signing all these crap artists.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
I've never associated myself with other singers, certainly not female singers.
I really like female singers; I've got zero interest in working with male singers. Any male voice I need to do, I can do.
People, whether they know it or not, like their blues singers miserable. They like their blues singers to die afterwards.
Eventually, the more I listened and became obsessed with singers, I feel like the more I realized that I had my own little thing that I could do. So this is why I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do.
All singers, no matter how gifted, should always try to go improve. And all students begin in the same place despite the level of their talent. It's like bodybuilding: All people who train use similar exercises no matter how naturally physically endowed a person may be. I have worked with many of the most brilliant singers in modern music and it's always the case that they have a great deal of under-realized potential no matter how amazing their abilities.
I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.
I am one of the few composers who has been lucky enough to manage to do songs with female singers, despite the labels and producers wanting otherwise. They don't believe that songs with female voices can work and often push us to work with male singers.
With my previous record deal, it'd be like, 'OK, so I have this track then, EMI - do you know any singers, maybe? Do you have any singers on your little label there?' And funnily enough, they didn't. But I prefer finding unknown singers myself anyway.
Our hospital was famous and housed many great poets and singers. Did the hospital specialize in poets and singers or was it that poets and singers specialized in madness?
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