A Quote by Ellie Goulding
Ever since I've been young I've been fascinated by the human body. I've written songs about it, but you can become quite morbid if you think about it too much - paranoid and a hypochondriac.
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I've always been fascinated by the human body, but you can become quite morbid and paranoid if you think too much.
My most annoying habit is complaining about my aches and pains. It's the new ones that I haven't identified yet that make me nervous. According to my wife, I complain way too much. I may be a borderline hypochondriac, or you could say I am fascinated by the body - at least by mine.
I don't write all my stuff. Everybody always thinks that. But in just about every album I've ever had has been about 50-50 songs I've written or co-written and other people's songs.
I've always been aware that probably writing songs - stupid songs or, at least, theatrical songs - is, I dunno, I certainly don't think about that, about my persona on stage. In fact, I work really hard not to address it too much in my head.
I've been in bands since I was about fifteen, so there are probably quite a lot of terrible teenage songs kicking about somewhere. I'm not sure what it was about to be honest, I think it was probably just something along the lines of teen angst.
I do want people to know that the songs that I wrote when I was with women were really about women. And the songs that I've written since have been fairly obvious about men.
I've written songs about women since I've been involved with women, but I do know a few gay female artists who, back in the day, would write songs about men.
I have written quite a lot of songs about dealing with my feelings surrounding the disease. I have written songs about the fear and anxiety I have around my disease, and the fear of it coming back. Some of my songs might seem like relationship songs, but are more about my relationship with that struggle.
My feeling is that, and I've been writing about my family over the years, although it might make them feel uncomfortable, people generally like to be written about. If I've written a song about the family, they enjoy being mentioned in the songs. Nobody's confronted me and said 'don't write any songs about me.
I've been fascinated by Machiavelli since I was very young. I've always felt that he had a bad rap from history, and that he was actually a person quite unlike what we now think of as Machiavellian. He was a republican. He disliked totalitarian government.
I'd always been fascinated by death, which sounds so morbid. Especially being a woman trying to make music, I think there's a sense that you're never young enough, or your career is going to end soon.
"On Script" is one of my favorite songs I've ever written. I'd just been jamming on it one day, and again I was struggling with lyrics. I'm still figuring out what it's about. I've seen a couple of reviews that are like, "It's about the monotony of playing the same songs every night," because I say, "On script every night/Like a well-rehearsed stage show." It's not about that at all, but I find that funny, how people project what they think about me, or songwriters in general.
Whether we be Italians or Frenchmen, misery concerns us all. Ever since history has been written, ever since philosophy has meditated, misery has been the garment of the human race; the moment has at length arrived for tearing off that rag, and for replacing, upon the naked limbs of the Man-People, the sinister fragment of the past with the grand purple robe of the dawn.
Ever since I've become chairman, there have been profiles of me in People, George, The Washington Post, The Detroit News, and all of them could have been written by the same person.
Ever since I've become chairman, there have been profiles of me in People, George, The Washington Post, The Detroit News, and all of them could have been written by the same person
We should feel an urgency about our environment and what's been done to it by human action and inaction. I wouldn't say there's a resurgence - I think it's been with us all along, and especially since the 1960s and 1970s, but it is true that there's almost a subsection of the bookstore devoted to it now. Personally, I've been addressing these issues in my long and short fiction since the late 1980s - basically since the beginning of my career.
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