A Quote by Ellie Taylor

When I was younger it was people like Victoria Wood who I loved. — © Ellie Taylor
When I was younger it was people like Victoria Wood who I loved.
Oh all the time when Victoria Wood and I did our series. There were people asking 'Can women be funny?' People still ask that. It's like asking: 'Can women breathe in and out?'
At the MTV Movie Awards, I was wearing a dress, and that red carpet is outside, and Victoria Justice was going before me on the red carpet. Apparently she's like the biggest star in the world, so everybody was just like 'Victoria! Victoria!' so I am just standing there, and a couple of reporters were just like 'Hello.' And then my skirt just flies up, and I was like 'Take that, Victoria Justice!'
I think [Phil Wood] didn't suffer fools gladly, but he loved supporting young people that loved the music.
I adored 'The Young Ones,' then I grew into 'French and Saunders' and Victoria Wood.
Victoria Wood's 'Dinnerladies' is just exceptionally written; every single line is a setup or a punchline.
I've always been criticised for how filthy my material is. Victoria Wood said to me once, 'I wish I was a bit ruder, like you,' and I said, 'Well, I wish I was a bit cleaner, like you.'
I loved Victoria Glendinning's bio of Vita Sackville-West. I also loved Michael Holroyd's immense biography of Lytton Strachey.
The truth is something that burns. It burns off dead wood. And people don't like having the dead wood burnt off, often because they're 95 percent dead wood.
I feel like you know what you're going to be good at when you're older based on what you like when you're younger. When I was younger my best friend was Tony, this kid Tony, and he loved rocks. He was always playing with rocks, counting them, and now he's a crack head.
I remember when Victoria Wood started to come through, and I thought she was great, though she and I are very different in our approach.
We think the fire eats the wood. We are wrong. The wood reaches out to the flame. The fire licks at what the wood harbors, and the wood gives itself away to that intimacy, the manner in which we and the world meet each new day.
I loved Thirteen and I loved Pretty Persuasion, and was always just so blown away by her [Rachel Evan Wood]. It was nice, and sadly, it is so rare.
it's a weird thing with acting and it happens to a lot of actors, not just myself - it's like you're giving off an I really need to be loved today vibe. My worst moment recently is I fell asleep on the tube in London on the Victoria line 8:30 in the morning and I woke up and there were about five people with iPhones taking pictures.
I think 'Ballet Shoes' was a very pivotal role for me. I was about 14 then, and it was an incredible cast: Eileen Atkins, Victoria Wood, Emilia Fox, Harriet Walters. All these incredible women.
My mom's a screenwriter, and before that, she was an actress, and my father was an actor; my stepfather was a director, so I was on sets a lot as a kid. I loved the magic of the set. You walk in, and it's a living room, and you walk outside, and it's just a piece of wood held up by another piece of wood.
When I was younger, in my living room, I used to put 'Cats' the stage musical video on and I used to copy Victoria.
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