A Quote by Ellie Taylor

I feel like the timbre of your voice as a woman doesn't cut through as well as a loud bassy voice, so you need to noticeably speak up. — © Ellie Taylor
I feel like the timbre of your voice as a woman doesn't cut through as well as a loud bassy voice, so you need to noticeably speak up.
We cannot have peace on Earth until we learn to speak with one voice. That voice must be the voice of reason, the voice of compassion, the voice of love. It is the voice of divinity within us.
I love voice over work. To me, voice over and animation is such an art, because you focus solely on your voice. You do not focus on how to speak, combined with facial expressions, movement, etc. You as the actor need to convey all those things with only your voice.
Hormone replacement therapy does not change or affect your voice. And I have no problem with my voice: I really like my singing voice, I don't feel any dysphoria with my talking voice.
I think most of us, as writers, have had experiences where you get edited and it doesn't feel like your voice at all. And so it's been nice to go through the experience of having a lot wind up on the cutting-room floor, and yet still feel that your voice is being - not purified, but made more yourself. I think that's a very rare thing.
I listen to the timbre of the music, and I fit my voice to blend with that timbre.
My voice is the only material thing in which I can still reveal myself. Go ahead and cut off the hand or the testicles of a voice. Try to find the head of a voice, the orifice through which it passes, or even the breasts to which you can attach the clips of your electrodes. Nothing. Resonant tooth.
But what I would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "You are the beloved and on you my favour rests."... I want you to hear that voice. It is not a very loud voice because it is an intimate voice. It comes from a very deep place. It is soft and gentle. I want you to gradually hear that voice. We both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. It tells us who we are.
Until I am free to write bilingually and to switch codes without having always to translate, while I still have to speak English or Spanish when I would rather speak Spanglish, and as long as I have to accommodate the English speakers rather than having them accommodate me, my tongue will be illegitimate. I will no longer be made to feel ashamed of existing. I will have my voice: Indian, Spanish, white. I will have my serpent's tongue - my woman's voice, my sexual voice, my poet's voice. I will overcome the tradition of silence.
Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.
I hope my work is recognizable as being by a woman, though I certainly would never deliberately make it feminine in any way, in subject or treatment. But if I speak in a voice which is my own, it's bound to be the voice of a woman.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
I really knew how to speak - from my female voice, that "different voice" that Carol Gilligan so presciently described many years ago in her groundbreaking book. Because if we try to speak in a voice that isn't ours, we lose our power.
Y’all might as well come on out,” I said. “I know you’re there. I can smell you.” “Smell me? But I just took a shower this morning!” an indignant voice drifted out of the shadows. There was a loud sound, like someone was getting smacked upside the head. Then another voice let out a low mutter. “Shut up, idiot.
To become a WRITER I had to learn to INTERRUPT, to speak up, to speak a little louder, and then LOUDER, and then to just speak in my own voice which is NOT LOUD AT ALL.
Ah, sinner, may the Lord quicken thee! But it is a work that makes the Saviour weep. I think when He comes to call some of you from your death in sin, He comes weeping and sighing for you. There is a stone that is to be rolled away--your bad and evil habits--and when that stone is taken away, a still small voice will not do for you; it must be the loud crashing voice, like the voice of the Lord which breaketh the cedars of Lebanon.
A loud voice is not always angry; a soft voice not always to be dismissed; and a well-placed silence can be the indisputable last word.
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