The first season of a show is kind of like an extended pilot. You're only really on the map if it goes a second season.
Pilot season isn't perfect, and it certainly is a very difficult time. But pilot season does work for us.
I'd never properly done pilot season in America. I did it for just a couple of weeks, a couple of years ago. Usually, you get pilot scripts and the initial script quality isn't there.
Running a TV show is always running a TV show; it's never not running a TV show.
I've always said at the beginning of every single season of the show when I was running the show in the writers' room, "This is the last season, so let's smoke 'em if we've got 'em."
There was so long from when we did the pilot and then when the show was eventually picked up by Comedy Central - and, in fact, we had to shoot the pilot twice.
From an actor's point of view, you never really like to hope that anything will go beyond the pilot. I'd always say to my agent every time I filmed a pilot, 'Great! Well, I'll see you at pilot season.'
You hope for that with anything, but with a TV show, the writer and the actor being the right mix are more important than the actual writing of the pilot because you hope it's something that can have a long life.
For a long-running TV show, you're looking for a character who is interesting and vibrant and you can imagine going into all kinds of different areas.
I was a complete unknown when I did 'Karate Kid.' I'd just done a pilot for a TV show called 'Call to Glory.' And I sat down with John Avildsen and brought still pictures from the show. I brought pictures! At that point, I would've been happy to be in a dog-food commercial.
I don't think anyone who runs a TV show would ever say to you, 'I have a grasp on running a TV show.' Maybe that's not true. Maybe there are people that do. I don't know.
In the '97 pilot season [of Will & Grace ], I got the male lead on The Jenny McCarthy Show.
I wasn't really interested in doing anything except going from pilot season to pilot season and sowing my oats in the months between and telling my agency to stop sending me movie scripts, because they'd pile up in my house and make me feel guilty because I had to read them.
I would have loved to have been in the room with the ABC executives when they watched David Lynch's 'Mulholland Drive' TV pilot. You know that had to be a long silence after that thing stopped.
I don't have real big aspirations to be a movie star. I would love to be on a long-running hit TV show. You end up playing a defining role.
The Wire,' I was such a fan of that show the first season - I think that's the best-written show on TV.