A Quote by Elliot Page
People ask if I'm concerned about getting pigeonholed. No one asks, 'Ellen, you've done seven straight roles in a row. Shouldn't you shake it up, do something queer?' There's still that double standard.
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I think, in general, straight actors should be able to play queer roles just as much as queer actors should be able to play straight roles. I think the reason why the debate is there is because we haven't had enough queer actors being cast in anything. People are in need of that representation in general.
A lot of people know me from my character that I play on 'Superstore,' Mateo, and I'm not interested in playing straight roles. I'm all about playing queer roles.
In this country, people are concerned about their economic future. They're very concerned about it. And they wonder whether somebody is getting something to - keeping them from getting it. That's not the America that I've ever known.
Roles that involved, whether it be training, whether it be physicality, getting skinny, there's some investment. There are roles that you do like that and sometimes there are roles that you do to make sure your family doesn't starve, but then you have to still say, "Is there something I can do with this? Can I do something with this that will be fair to the people watching it and fair to my time as well?" I'm at the point where that luxury of choice is getting more and more for me, absolutely, but it's more primarily roles that are more demanding of me in every way.
People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
When actors get pigeonholed, that's their own doing to a large degree. Because if you do something that people like, obviously they're going to ask you to do it again. It's up to you to say no. If you're that insecure about working, you'll probably do what you're known to do.
My brownness is something that I can't hide. There are some straight-acting or straight-passing queer people out there, but I'm not one of them. This is something I would rather not have to hide.
A lot of different people under the queer umbrella come together but Like there's something inherently queer about the heist genre, in some way. It's about just flying under the radar and procuring something furtively or, you know, that thing that is just so fun and high-stakes in the way that a lot of queer experiences are.
It's the old American Double Standard, ya know: Say one thing, do somethin' different. And of course this country is founded on the double standard. That's our history. We were founded on a very basic double standard: This country was founded by slave owners who wanted to be free.
There are two sides to being pigeonholed. There's, 'Oh, no, I'm going to be Chandler for the rest of my life,' but there's also the fact that getting to play Chandler opened up doors to me. It's now my job to find things that shake it up a little bit.
When you have seven grandchildren and you've been around them a while, they soften you up. But there's still that little streak in me that if I need to make sure something has to be done, then it gets done.
Self-esteem is something I still battle. People look at me and say, 'You've got fame. You've got admiration. You've done this; you've done that.' As far as I'm concerned, I haven't done anything. I've just fulfilled a dream of competing.
The laughter in response to my question unmasked the double standard our deconstructionists espouse. And that is precisely the double standard of atheism! It is possible to dress up and romanticize our bizarre experiments in social restructuring while disavowing truth or absolutes. But one dares not play such deadly games with the foundations of good thinking.
There's a hunger in me that always wants to be creating and orating, telling people something and giving them information and getting feedback. There are so many questions that I'm trying to ask, and I'm still so far from being done saying what I gotta say.
There is something very shocking about seeing him standing dark and still on our doorstep. I lean the door a ways. The night's getting chilly. "You got away from the yard." "Is it still all right?" "It's all right. It's me and Gabe and Finn and Tommy Falk." "I've brought this." He holds up the bread, which is clearly a Palson's loaf, and it's still so fresh that I can smell the warmth of it. He must've come straight from there.
My mother asks when I will do some theatre, and there is something about getting your 15 minute call. That is what you become an actor for - performing in front of people and getting the love from the audience.
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