A Quote by Elliot Page

I think, because I've been working for a while, I've been working since I was ten, I had the fortune of reading a lot, a lot of scripts. — © Elliot Page
I think, because I've been working for a while, I've been working since I was ten, I had the fortune of reading a lot, a lot of scripts.
I'm working on a young adult novel. I've been working on it for a while, because I don't know how to write a novel and I'm teaching myself. For that reason, I've been reading a lot of YA [young adults], which I never have before. It's totally new to me.
I have been working a lot, and I like it. And you know, it's hard for me not to. I guess I've been working a lot because I get to play with brilliant people.
I wrote the first draft of the New People quickly but it had been percolating a lot longer. It's a hard question to answer because I'd been working on another novel for years and when I gave up on that, this one came very easily. But I think the work had been going on a lot longer than the actual writing.
I'm a little bit of a weirdo - I'm kind of a loner, I didn't go to college, I spend a lot of my time reading. I've been working since I was 17, so that's sort of been my life.
Ever since I was little, I was changing the pace. I think I was just getting bored on the court, so I was trying anything. It's been working ever since. I've been practicing it, and it's obviously throwing off a lot of players.
I've done a lot of basketball drills, not a whole lot of competitive stuff. I have basically been in the gym everyday working on my game, working on the time off that I've had from the game, just getting myself prepared mentally and physically for the season.
I think it's important to be able to say that you did live a normal life and struggled to make ends meet. It all has to do with work ethic and how I apply myself to my awesome job now. I've always been used to working because I've been working since I was four.
I've been singing since I was 8 years old and working in clubs since I was 14. I've been working full time since I was 16.
I've been working with a lot of people out in Hollywood on writing scripts, screenplays, directing, producing, and making music.
For me, I've always taken being on a set as my school, because I've been working since I was ten.
Honestly, I've been reading a lot of books on visual art. I've been reading a lot of books by Olivia Lang, I've been listening to a lot of folk and singer-songwriter music, but also a lot of electronic and really hard techno. I'm just trying to create something that pulls from everywhere and that hopefully feels unique.
When it comes to working on identities, a lot of the time I find myself working with a company that has been around for a while. No matter what they say their goal is, the history and the impression that they have already made in the minds of the public is a real thing that you have to deal with.
I had been reading a lot of pilots. It was pilot season and I had decided, in my mind, that I wanted to do another show, but the bar had already been set so high, having working on Mad Men and Community, that I was really particular. I was looking for something really specific, but I didn't even know exactly what that was. When I read 'Glow', it just checked every box.
I've been working since I was 17, when I started playing for Fluminense, which helped me a lot, I grew a lot there and even more at Real Madrid.
It's been very nice. I haven't gotten out too much because we've been working a lot but other wise the people have been very nice and I've had a good time.
My education as a filmmaker has been entirely practical. I started working professionally in the film business in 1970, and I've been at it steadily since, and I pay a lot of attention.
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