A Quote by Elliott Carter
I've known those pieces ever since I was about 16 or 17; I also at that time was taken to meet Charles Ives whom I got to know fairly well. He was the one who wrote a recommendation for me to get into college.
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It's anxiety that led to a depression that I've been dealing with since I was 16, 17. That was the first time I was ever prescribed medication for either of those disorders I guess you would call it.
I also met Charles McPherson around that time, end of high school. I was 17 and I had followed Phil around for a year and pestered him enough to finally give me saxophone lessons. So all of a sudden I've got Phil Woods and Charles McPherson around me.
I played drums since I was 6 years old. And then I got into producing music when I was about 16 or 17. Somebody showed me FL Studios, the program. My beats were bad at first, but then eventually they started to get good.
I took to writing as my medicine to help me stay afloat in acting career journey. I wrote about me breaking hearts, and my heart being broken. I wrote about my views whether they were liberal or conservative. I wrote about everything. I wrote about my life. When I did not have paper coming in as green backs, I'd use random pieces of paper for stories. It was like, I got no money, but I have paper to write. So I wrote.
There were a lot of artists in St. Ives. In fact, since the time of Whistler, St. Ives has been noted as an artist colony.
There's things that you don't want to do and they keep haunting you and following you. Bennett Miller directed this project [Capote], who is a friend of mine since I was 16, and Danny Futterman wrote it, and he's also been a friend of mine since I was 16.
When I was growing up in the '70s and '80s, by the time you were 16, you were kind of expected to be an adult. By the time we were 16 and able to drive, certainly by 17 or 18 and into college, you just had very little interaction with your parents.
I've always known when I start a story what the last line is. It's always been the case, since the first story I ever wrote. I don't know how it's going to get there, but I seem to need the destination. I need to know where I end up. It never changes, ever.
My recurring nightmare is that someday I will be faced with a panel: Franklin Roosevelt, John Kennedy and Lyndon Johnson all of whom will be telling me everything I got wrong about them. I know that Johnson's out there saying, 'Why is it that what you wrote about the Kennedys is twice as long as the book you wrote about me?'
My recurring nightmare is that someday I will be faced with a panel: Franklin Roosevelt, John Kennedy and Lyndon Johnson all of whom will be telling me everything I got wrong about them. I know that Johnson's out there saying, 'Why is it that what you wrote about the Kennedys is twice as long as the book you wrote about me?
I first got to know Charles in the late seventies when I wrote an article and then a book about him and I think at the time he came across as quite appealing, it was probably the height of his popularity.
I started playing when I was about 16, and I got picked for the England youth team when I was 17 because I was doing quite well. It's all spiralled from there.
I stopped acting when I was about nineteen, twenty, when I got thrown out of college. I did act for about ten years. I don't know. I suspect I'm still a reasonably good actor, but I don't really know that I want to get on the stage again ... and having to say all those boring words by me over and over again ... I don't know if I want to do that. Also, I like a certain amount of freedom of movement, and if you're acting, you're stuck in one place for a long time. Having said that, I will probably be onstage next fall.
'After 17' is a song I wrote when my first daughter went to college, so that's kind of where I'm at in that part of my life. If you listen to that song and knew anything about me, you'd say, 'Oh yeah, he wrote that about his daughter,' but I try not to write them that they are so specific that they wouldn't apply to anybody that has a child.
"After 17" is a song I wrote when my first daughter went to college, so that's kind of where I'm at in that part of my life. If you listen to that song and knew anything about me, you'd say, "Oh yeah, he wrote that about his daughter," but I try not to write them that they are so specific that they wouldn't apply to anybody that has a child.
The time I like listening to music most on headphones is, I have a game I play with my brother, he's a musician as well.And he sends me MIDI files of keyboard pieces. So, these are pieces where I just get a MIDI file; I don't know what instrument he was playing them on; I know nothing about his section of the sound of the piece, and then when I'm sitting on trains I do a lot of train travel I turn them into pieces of music. And I love to do that; it's my favorite hobby.
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