A Quote by Elliott Carter
An auditory scenario for the players to act out with their instruments.
Related Quotes
Making a movie is the same as an orchestra; it's moving all the different instruments and the sounds, the kinetic and the auditory and the visual all together. I'm probably the trombone.
For us, as hoopers and as basketball players, doesn't matter the scenario, the scene. True hoopers and true basketball players are going to get out and perform.
One of my delays was in speech and speech pronunciation, and also the auditory processing issue just means I really struggle as an auditory learner.
Clubs don't like their players going off to play international matches and you can see a scenario where they eventually start to make it more difficult for international sides to call up players.
The future is not a scenario written, which we only have to act out; it is a work which we have to create.
Someone once said that history has more imagination than all the scenario writers in the Pentagon, and we have a lot of scenario writers here. No one ever wrote a scenario for commercial airliners crashing into the World Trade Center.
I started working with synthesizer players, and I had to find new instruments. I needed a more complex sound, so I went to a surplus place and got a bunch of hard plastic stuff and stainless steel stuff, and that stuff worked. So from that point on, from the 70s on, I've made instruments.
At that time, 73 and 74, I became aware that there were a number of us making instruments. Max Eastley was a good friend and he was making instruments, Paul Burwell and I were making instruments, Evan Parker was making instruments, and we knew Hugh Davies, who was a real pioneer of these amplified instruments.
The worst case scenario sees the Amazon rainforest burning, huge amounts of methane being released by Siberian peat bogs and so on - by the time today's six year olds are 60, such a scenario would see global warming already out of control.
Actors don't act, we're just being in a different circumstance and scenario.
The thing about hip-hop is, like, that the instruments were taken out of schools. But - you might have taken the instruments out of schools, but we'll take the records and sing over them!
As players of instruments, it is our duty to reach out and give light to those in the dark in whatever way that we can. All my actions are a fulfilment of all the African music genres - I'm only trying to maintain the culture and the tradition. I am a musician.
I try desperately to try and figure out how they'd react to different scenarios. That's part of what the DM's job is: to try and know their players well enough to where they can build encounters, challenges, and be like, 'I think they would do this in this scenario, so I will go ahead and prepare a few options based on this.'
Producing is a wonderful foil to being an actor: acting being largely about getting out of my head, being present, a little irresponsible, whilst producing is the polar opposite. You need other players to act; you can't act in a void, but producing is about making something out of nothing - conjuring a thought or an idea into reality.
I'm more into describing a scenario and I move around in that scenario.
A plan is only a scenario, and almost by definition, it is optimistic... As a result, scenario planning can lead to a serious underestimate of the risk of failure.
Related Authors
Alexandre Desplat Quotes
French
Composer
Andrew Lloyd Webber Quotes
British
Composer
Anu Malik Quotes
Indian
Composer
Henry Mancini Quotes
American
Composer
Igor Stravinsky Quotes
Russian
Composer
John Cage Quotes
American
Composer
John Walter Bratton Quotes
American
Composer
Krzysztof Penderecki Quotes
Polish
Composer
Ludwig van Beethoven Quotes
German
Composer
Michael Giacchino Quotes
American
Composer
Pauline Oliveros Quotes
American
Composer
Ramin Djawadi Quotes
German
Composer
Richard Wagner Quotes
German
Composer
Ryuichi Sakamoto Quotes
Japanese
Composer
Stephen Hough Quotes
British
Composer
Stephen Sondheim Quotes
American
Composer