A Quote by Elliott Erwitt
The most awful museums are in China. They have magnificent stuff on display and just the worst way of displaying it. They just don't spend money on lighting and installation.
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London was like that too. It was that time of year when all the rich kids with the oil money have their cars shipped over. Some of the most beautiful cars I've ever seen - with the worst paint jobs! It was just this hilarious, disgusting display of wealth. The shamelessness of it. To be that shameless about your money when you're a guest in a country was astounding to me. But I saw the humor in it.
When you're displaying content, any technology will use more power to display, versus not displaying content.
The lighting is so important. One thing that makes me nuts about the lighting now is that they spend an enormous amount of time lighting the set, the background. But the most important thing in the scene is the actor.
I'd rather spend my money on clothes. I have a budget. Why not want to look nice? It's something I just value for myself. Instead of just spending money on cars and stuff, I'd rather buy clothes. It's just something I like.
For me, money is to use - it's only to use. So I never have money because I always spend. That's why in a way I protect myself in having houses. But if I had just cash or kept it in the bank, I'd spend it immediately. But not for stupid things. So I don't like to have money. I never have money in my pocket.
In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.
I do spend money. I like to spend money, on houses - on furnishing houses. And I love to give presents to people. It's just in my nature to be that way. I always spent money I had. And I always spent what I made. I'm not stingy.
I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
There's an obligation to let people know where their money is going, so the tour has an educational aspect, mostly as a way to thank people. But the most practical use is to raise money and do the research to figure out the proper ways to spend it. You want to make sure that the money doesn't just go somewhere where it does more harm than good.
I've sat in so many meetings where they talk about converting movies to 3D just for the China market and just to make more money. I saw that people in China work long, long hours and that it's expensive to go to the movies, and you want to rip them off for even more money? I don't think that's right.
I turn down invitations to do things for money. I have almost no interest in making money. Actually, I've acquired a fair amount of money that I will never live to spend. So earning money, in a way, depresses me, because I feel it's just piling up.
The only way one can display learning is by playing with it. Because the truth is that there's something embarrassing about displaying heavy knowledge. You feel sort of annoying.
Was it a good idea to spend taxpayer dollars on electric cars in Finland, or on windmills in China? Was it a good idea to borrow all this money from countries like China and spend it on all these various different interest groups?
I think I am most fond of the unseen part. I mean that the various cultural experiences that I go through, and the behavioral aspects of getting the work done, are just as important as the installation and the photograph. So, for me, the relationship between the two is more about hybridism and the search for an ideal form that I'm never going to arrive at. The installation and the photograph are mere approximations of this ideal.
Another thing you end up doing when you get older, is you spend so much time sort of trying desperately to keep from just looking just a little older. You're just constantly putting stuff on your face and having things removed from yourself and opening up copies of "Vogue" so that you can find new ways to throw whatever money you've managed to save into the arms of some doctor who has just come up with a new way of lasering your face that feels like electroshock and all these things.
You're already a financial trader. You might not think of it in just this way, but if you work for a living, you're trading your time for money. Frankly, it's just about the worst trade you can make. Why? You can always get more money, but you can't get more time.
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