A Quote by Elliott Yamin
When I was a kid, I remember trying to emulate Stevie Wonder's sound, and Donny Hathaway's sound. It's just part of who I am - I'm just a soulful kind of dude.
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I think I'm more influenced, just in general, not by blues artists, but more by stuff from Curtis Mayfield, Stevie Wonder. Stevie Wonder is probably my biggest musical influence of all. And Donny Hathaway.
Early inspirations included Michael Jackson, Prince, Stevie Wonder, Donny Hathaway, Marvin Gaye, Lionel Richie... Those were the people I actually wound up studying just to hone my craft.
I grew in the inner city, listening to Stevie Wonder, Donny Hathaway, James Brown, The Commodores - lots of soul music.
I started listening to old school R&B artists like Stevie Wonder, Luther Vandross, and Donny Hathaway when I was in 6th grade.
I never want to go back and remix old records, either. If a record sounds shitty, that's just the sound it has. I just take it as part of the music. Some of my favorite bands - their old records sound terrible. But that's just part of the sound. If they were perfect, I'd probably hate them. Same thing with movies.
I've never sat down with the intent of trying to shock or anything like that; it just so happens that the sense of humour I enjoyed watching as a kid is the type of humour I try to emulate as an adult. It's not a decision. It might sound a bit wanky, but it's the truth.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
I wonder what the most intelligent thing ever said was that started with the word 'dude.' 'Dude, these are isotopes.' 'Dude, we removed your kidney. You're gonna be fine.' 'Dude, I am so stoked to win this Nobel Prize. I just wanna thank Kevin, and Turtle, and all my homies.'
I was just a punk kid, trying to get a sound out of a guitar that I couldn't get off the rack, so I built one myself ... I wanted a Gibson type of sound but with a Strat vibrato .. I went to town painting it and I put three pickups back in, but they don't work - only the rear one works
Stevie Wonder is just one of those guys that completely delivers everything that you want to be true about Stevie Wonder. He's an amazing human being, and the fairytale exists with that man.
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
The instrumental record is a bit subtler. It's the kind of stuff on sound check, when I first pick up my violin and start to play, the kind of melodies that just pour out of me. Some of them sound very classical. Some of them sound experimental, polyrhythmic loops that I make.
I loved things like Destiny's Child, and Amy Winehouse's first record came out when I was 11 years old. But as a young, young child, I was just surrounded by Stevie Wonder, Whitney Houston, Chaka Khan - just massive, soulful voices.
I hate the sound of my own voice. It's just up there, sort of naked and exposed. Live is hard, because on my records, I play almost everything on a lot of stuff. In a live situation, I can't control everything. I use two different microphones. One is just clean, traditional sound, and the other one is basically a cheap cassette-recorder microphone that goes through a distortion box to emulate my voice on the record. That helps some.
'The Muppet Show' was huge. I watched it all the time as a kid, and I really loved the way they used music on that. I also remember hearing the radio in the car as a kid, like Stevie Wonder and Simon and Garfunkel.
We never look deeply into the quality of a tree; we never really touch it, feel its solidity, its rough bark, and hear the sound that is part of the tree. Not the sound of wind through the leaves, not the breeze of a morning that flutters the leaves, but its own sound, the sound of the trunk and the silent sound of the roots.
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