A Quote by Ellsworth Kelly

I always felt that a painted edge between two colors was a depiction somehow. — © Ellsworth Kelly
I always felt that a painted edge between two colors was a depiction somehow.
I started doing sculpture in 1959. I had no commissions then. They were painted, similar in style to the paintings... At a certain point, I decided I didn't want an edge between two colors, I wanted color differences in literal space.
I painted the picture, and in the colors the rhythm of the music quivers. I painted the colors I saw.
I think the names of colors are at the edge, between where language fails and where it's at its most powerful.
I've always painted pictures in which human love floods my colors.
I remember that I wanted the Razor scooter, and my dad went to the garage, spent one or two days, and built one out of wood and painted it with the Colombian colors.
Photography has always been about documentary, the depiction of the instant, a moment, sometimes a place. Each project is somehow an experimentation of a specific context or a character.
I am the rest between two notes which are somehow always in discord.
I am always in the hope to express the love of two lovers by a marriage of two complementary colors - colors which marry each other... complement each other as a man and a woman do.
We cannot evolve faster than our language. The edge of being is the edge of meaning, and somehow we have to push the edge of meaning. We have to extend it.
Albert Durer, the famous painter, used to say he had no pleasure in pictures that were painted with many colors, but in those which were painted with a choice simplicity. So it is with me as to sermons.
When a buddha is painted, not only a clay altar or lump of earth is used, but the thirty-two marks, a blade of grass, and the cultivation of wisdom for incalculable eons are used. As a Buddha has been painted on a single scroll in this way, all buddhas are painted buddhas, and all painted buddhas are actual buddhas.
i wish i could freeze this moment, somehow delay my final decision, and just hang here in the balance between two places, two worlds, two loves.
Somehow, in many of those near-miss instances, I've managed to fight through and continue. But in all these situations, even when they're apparently going well, I feel I am living on the razor's edge between success and failure, adulation and humiliation - between justifying my existence and revealing my unworthiness to be alive.
Little by little, I've reached the stage of using only a small number of forms and colors. It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century are painted like this. For me, they are magnificent things.
The point of the first one was that it was about guys being lured by sex and the stereotypes... I always say it's like a horror version of Borat. Borat's not an accurate depiction of Khazakstan, it's an accurate depiction of America. That's what Hostel is.
When white and black meet today, sometimes there is a ready understanding that there has been an encounter between two human beings. But often there is only, or chiefly, an awareness that Two Colors are in the room.
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