A Quote by Ellsworth Kelly
In Paris in the late '40s, I started making my first reliefs. They are separate panels. I wanted to do something coming out of the wall, almost like a collage. I did a lot of white reliefs when I started because I liked antique reliefs, really old stuff.
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Violent pleasures which reach the soul through the body are generally of this sort-they are reliefs of pain.
New York has never learnt the art of growing old by playing on all its pasts. Its present invents itself, from hour to hour, in the act of throwing away its previous accomplishments and challenging the future. A city composed of paroxysmal places in monumental reliefs.
But where do they find these lines in nature? I can only see luminous or obscure masses, planes that advance or planes that recede, reliefs or background. My eye never catches lines or details.
I don't know how I started rapping. The first I did was at school. I tried writing one. I liked it. People started to like it. It was what I wanted to do.
I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.
When I was in high school, I wasn't really popular. I was picked on a lot. And then I did a talent show, and kids started to tell me that I did a good job. It was the first time that my peers told me that they liked what I was doing. Something clicked, and I knew that this is what I wanted to do.
I started writing when I was around 6. I say 'writing,' but it was really just making up stuff! I started writing and doing my own thing. I didn't really know what a demo was or anything like that, so I started getting interested in studio gear and started learning about one instrument at a time. My first instrument was an accordion.
In my 20s, I could just power through stuff and be fine, but now, in your 40s? It's kind of like Kobe Bryant. He plays basketball a little bit differently than he did when he first started out.
Over a year before I started recording Salad Days, so I finally sat down and was like I have to do this. And it did feel like a chore. I was looking at it in a completely wrong way, trying to one up myself. Just the typical sophomore album bullshit. The main thing I got out of it is I eventually gave up on all that stuff. I had to re-learn why I liked making music in the first place, why I liked recording in my room all the time. Because it's fun. It's fun for me.
I just feel like I have when I started making a lot of money, I started spreading it out to people. Mickelson, the whole deal, the over-tip: if I see a guy that looks like he needs a hand out or something, I'll pull something out and give him something.
That first company I started made a lot of money for the venture capitalists - nearly $30 million - but next to nothing for the founders. The companies I started after that varied between failures and mediocre successes. But at no point did I ever consider getting a 'real job.' That felt like a black and white world, and I wanted Technicolor.
If I started something, I had to finish. Like with violin. I started when I was seven only because my best mate wanted to. I hated it and wanted to quit, but Dad made me continue, and I got to grade seven. My parents said I had to know the value of stuff and work for stuff.
We knew what music we liked but not who was from where. As we started to look more into these artists, we started finding out that a lot of the stuff we were most drawn to was made in California.
I never started writing because I wanted to write myself stuff. It was really more that I had these stories to tell, and I wanted to work with people that I respected and liked.
Seeing Rush the first time was huge for me. That was my favorite band and I couldn't believe they were actually in the same building as me. I was totally freaking out when the show started and when they started to play it was almost like cartoon characters coming to life. I couldn't get my head around the fact that it was really them.
An ancient Scythian nomad skeleton buried with an eagle was reportedly excavated near Aktobe Gorge, Kazakhstan. Ancient petroglyphs in the Altai region depict eagle hunters, and inscribed Chinese stone reliefs show eagles perched on the arms of hunters in tunics, trousers, and boots, identified as northern nomads (1st to 2nd century A.D.).
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