A Quote by Ellyse Perry

For me looking at the success of some of the women's football World Cups, the crowds they've drawn, the spectacle it has created and the event that it's been I think it's really great cricket is having a go at that as well.
Having success in World Cups is some of the biggest career highlights that I've had, but more generally speaking, the biggest highlight is just the development of the sport and being involved in this period of women's cricket, but also in women's sport in general in Australia, where it's been a bit of a watershed moment.
I think T20 cricket has become the flagship spectacle for women's cricket.
I think you're always drawn to what you love, and I'm always really drawn to things that feel really real and really true to me. I love things that make me think of things in a way I hadn't, and I love looking at people in the world in a way that I hadn't. And sometimes big, huge stories do that for me, but I think I am drawn to smaller ones.
Retaining 'Monday Night Football' simply did not make smart financial sense for ABC. We could not reconcile the fees against the revenue. We love football at ABC. It's been a love affair for 36 years. It will go down in the history of sports television, being created on ABC and with this magnificent run. But at this point, given the success we're having with our entertainment product and the financials, we deemed that this was the proper move for us. We're not looking back .
From an England point of view they have put money into white-ball cricket because our performances in World Cups has not been good enough, I understand the reasons for that. But we have to be careful not to go too one-day, we have to find a balance because there is such a legacy of Test cricket in this country and we can't lose that.
Once in a while an enlightened teacher goes out into the world and spreads the dharma. They attract some attention, and it is a great spectacle to see who and why and what is drawn.
For me personally, I've been able to main event a number of independent shows outside Ring of Honor I've been doing as well. It's been really exciting for me to do that for women's wrestling and to have that opportunity.
I was enjoying my football, even though it wasn't really going well. That's when I said to my dad, who as a New Zealander was very keen on me playing cricket, that I would choose football.
My mindset is to go out there to do anything I can to help out my teammates, be that garbage guy like that. I think I've been very crisp from that standpoint. I've played with some great guys and some great teams and some not so good teams, but I think I've drawn a lot from those experiences.
You think about past World Cups - in 2006, it was a fantastic Brazil team, but we did not do so well that year. In 2010, the same: it did not go far, either - only the quarter-finals. But in '94 and 2002, Brazil did not play the best football but won the World Cup; they found a way to win.
The last few years I've been doing the Middle East thing, and it's a tough decision whether to go there and try and knock off some events as a European Tour member, this year I think overall looking at my results, I played a little bit better on the West Coast than I have in the Middle East, so that was another determining factor for coming back here to an event that I have had some success in the past.
Having been a football player, most viewers associated me with just that. It was tough to go from football to basketball, but what really helped was that my show, 'Inside Stuff', was personality driven.
My childhood closet was ornamented with U.S. jerseys of World Cups spanning the nineties and two-thousands - some of my favorite memories are from summers when, with a ball under my foot and a jersey on my back, I watched the U.S. team go up against the world's best players in the largest sporting event on Earth.
I'm not really sure what defines 'success in the real world' to be honest! It's so objective once you graduate, some people work, some people start families, some go looking for themselves up mountains in Peru.
I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...
That's what I mean by this sense of erasure. You're inside some event or spectacle and you know you're complicit in it, but there really is no external.
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