A Quote by Elmore Leonard

I don’t think writers compete, I think they’re all doing separate things in their own style. — © Elmore Leonard
I don’t think writers compete, I think they’re all doing separate things in their own style.
You think of yourself as an "individual person", with a unique and separate mind. You think you are born and you think you die. All your life you feel separate and alone. Sometimes desperately so. You fear death because you fear the loss of individuality. All this is an illusion. You, he, she, those things around you living or not, the stars and galaxies, the empty space in between- these are not distinct, separate objects. All is fundamentally entangled.
I'm a line-maker. I think that's what makes poets different from prose-writers. That's the main way. We think, not just in sentences the way prose writers do but also in lines. So we're doing these two things at the same time.
The things the writers have me doing on Suburgatory are insane. I think they think it's easier to ask for forgiveness than permission.
The things the writers have me doing on 'Suburgatory' are insane. I think they think it's easier to ask for forgiveness than permission.
Themes don't change very much in story telling, and I think each writer has his or her own territory; however, I think craft and style take a lot of time to develop. I don't think there's any other way to develop your own style without reading your betters.
Some people think that writers are innately solitary and that there's a kind of romance to that solitariness. I tend to think that what writers really want to do is get accepted into things. They want to get accepted into society, into culture, into intelligentsia, into the fun. Writing is their mechanism, their instrument, for doing that.
I think have my own style; no one has ever tried playback singing before. I might release a punk rock song that perhaps other won't appreciate, but I like doing my own thing. I make music for my own satisfaction, not for money or fame.
I think now that I'm in the autumn of my life, and I'm getting a chance of having an overview and looking at the shape of how things happen, when things happen, why things happen, I think it was fitting that I spent most of my early career doing mask work, because I just don't think I was that comfortable in my own skin.
People who have the courage to be individuals can usually think things through on their own and make sound decisions. They don't say, "What will people think?" They say, "What's the best way to handle this?" The amazing fact is that God created each one of us as a separate, unique person amid billions of other separate, unique individuals. So the best way to achieve real fulfillment is to be yourself.
There's times I've been quite nervous doing session work, such as when I'm asked to play the violin in a 'country and western' style or a 'gypsy' style. I'm not very good at that sort of playing at all. I think it's important as a session musician to have your own voice.
I was able to work out all sorts of attitudes to style and event and character, all of which affected the way I came to think about my own writing. I believe that all good writers are original.
I don't find any real rivalries with crime and thriller writers anyway. That might sound a little Pollyanna, but for the most part the writers I compete with, if you want to use that word, it's a pretty friendly rivalry. I think we all realise that the boat rises and sinks together.
Of course, the way writers think about those things is almost certain to be affected by their own cultural background, and it would be hard to deny that, for whatever reasons, a lot of SF writers come from Anglo or European backgrounds.
The things that are more my own style are something that I don't really have to think about. The only time I have to think about them is if I want to force myself not to do it the way I do it.
I think the best writers are voracious readers who pick up the cadences and the feel of narration through a number of different books. And you begin by maybe copying the style of writers that really knocked you out.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
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