A Quote by Elmore Leonard

I once saw Dizzy Gillespie at a live show, and it made me want to go home immediately and start writing. — © Elmore Leonard
I once saw Dizzy Gillespie at a live show, and it made me want to go home immediately and start writing.
I skipped school one day to see Dizzy Gillespie, and that's where I met Coltrane. Coltrane and Jimmy Heath just joined the band, and I brought my trumpet, and he was sitting at the piano downstairs waiting to join Dizzy's band. He had his saxophone across his lap, and he looked at me and he said, 'You want to play?'
I'm really glad that I'm not Anna because I don't want to be there again. I've been there. But when something does happen to me, whether it's that movie or whether it's actually happened to me, I feel that it's my duty to actually share that with all of you guys. I want to immediately go to my desk and start writing about it.
I had a cat called Dizz, after Dizzy Gillespie.
I saw the sky and sea and sand and the flickering flames of the bonfire through my tears. All at once, it rushed into my head with tremendous speed, and made me feel dizzy. It was beautiful. Everything that happened was shockingly beautiful, enough to make you crazy.
The first records I heard were from Dizzy Gillespie and people like that.
[Rejection] made me quit writing once. For six months. I started up again when my then seven-year-old son asked me to start writing again because I was too grumpy when I wasn't writing.
I didn't decide to start to playing piano until I was almost 13 years old when my friends and I thought it would be fun to start a band. None of us actually played any instruments so the band never quite got off the ground, BUT it made me go home and ask my parents for piano lessons. That was really the beginning for me. Once I started, it was all I wanted to do.
I first fell in love with music when I was five years old because of 'Annie.' And then 'The Little Mermaid' really made me want to start singing. And then the fierce, amazing women of the '90s - Alanis Morrissette, Courtney Love, Tori Amos, Ani Difranco, Paula Cole, Patty Griffin - made me want to start writing.
I think that once you start writing songs, you start developing a library of ideas that you can go and take from, so it gets easier as you go.
I remember the first time hearing a recording from Minton's Playhouse; it was Charlie Christian and a young Dizzy Gillespie, and he was just the best musician in the room.
Honestly, I try to forget Fashion Week once it's over. I just want to go home and rest and just forget I even did it. It could drive you crazy! It's just show after show after show, and you're missing your family and they feel really far away. You don't go to sleep. You work for a month.
My step-dad started playing hockey in Detroit so we moved and I had to start home school. I started watching movies since I had a bunch of free time and then I was like, 'You know what? I want to give this a shot, move back to L.A., and audition.' The first show I booked was a show called Threshold with Carla Gugino and it was obviously a terrifying experience and I felt out of my comfort zone, but it made me want to keep going because it was fun.
It feels amazing to be back on set. It feels like home, even though the territory is a little bit unfamiliar because it's a new show, it's a new character, but once you get in the groove and you start to settle in and trust the moment, you start to really feel at home.
Ornette Coleman is doing the only really new thing in jazz since the innovations in the mid-forties of Dizzy Gillespie, Charlie Parker, and those of Thelonious Monk
Most of my career has been about standing on a stage performing music to an audience, and once the show is over, they go home and I go on to the next show.
I don't mind looking foolish but it's just that I'm so bad at singing. The only time people ask me to sing is if they want the party to stop. If they want everyone to go home. Immediately.
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