A Quote by Elodie Yung

We can list a bunch of actors who have embodied characters that aren't their nationalities, and I think that's the beauty of acting. — © Elodie Yung
We can list a bunch of actors who have embodied characters that aren't their nationalities, and I think that's the beauty of acting.
I've dealt with a few method actors, and I don't know if should say this, but I think it's a bunch of nonsense. I think it's film acting and you just have to be on when the camera is rolling.
And, my God, the actors. The cast, led by the extraordinary Jennifer Lawrence, is absolutely wonderful across the board. It’s such a pleasure to see how they’ve embodied the characters and brought them to life.
Actors look for characters. If they read a well-written character, and if they think the director's not an idiot, they're going to sign up and do some acting.
When you see bad acting, that's usually what it is - they're not listening to the other characters. It's always hard with first-time actors to get them in that moment where they are really listening to the other characters and reacting to the other characters.
For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.
I don't think of the characters as nationalities. I do not live in India. Playing people from different backgrounds, including Indians, comes easily to me.
I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
The way I see the job, my definition of it, is to create characters to the best of your ability and then fit into what's trying to be accomplished in the general framework of the film. I think that's whether you're doing this- even if you're doing musical theater. That's what I think an actors job is. I don't know. I like to think what an actors job is is to create characters.
Before you start production, you have characters you have created without actors in mind, then all of a sudden you've got actors. They bring an enormous amount in creating these characters, and creating the dynamics between the characters that you've written.
I think it's definitely beneficial for these characters to have good acting voices behind them and it affects the characters in a way that people can feel like they're part of the game and that they know these characters.
I loved the Scarecrow and the Tin Man and the Lion and you could kind of see the actors' faces in them. It wasn't an entirely new face sculpted around them. What made those characters so human and appealing to me was seeing those great actors underneath there. They weren't lost behind a bunch of appliances.
I think we all felt it on this movie - crew and cast. You never know when you're making a movie... no one is saying in the middle of Casablanca that this is going to be a classic. The lead actors had turned it down and I think they wound up with B-list actors at the time.
When I first started acting in movies - as probably a lot of naive young actors do - I made a list of directors that I wanted to work with and sent it to my agent at the time.
It takes awhile for writers to get to know actors rhythms, not just as actors, but what they bring to the characters. I think it takes a few episodes for the writing room to catch up to the actors and vice versa.
The so-called Beat Generation was a whole bunch of people, of all different nationalities, who came to the conclusion that society sucked.
My belief about performance capture is that it's a technology which allows actors to play extraordinary characters. But from an acting perspective, I've never drawn a distinction between playing a conventional, live action character and playing a role in a performance capture suit. And from a purely acting point-of-view, I don't believe there should be a special Oscar category because I think it sort of muddies the waters in a way.
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