A Quote by Elodie Yung
I love Elektra. I really have a special place in my heart for her. It was very enjoyable for me to discover her and to adapt her for this project and bring myself to this character. So I have a special spot for her.
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Suri is my daughter, she's very, very special to me, and this project took a lot of time and because it's my first feature I wanted her to know that she's so special to me. I thought that as she gets old that will mean more to her, that she's always the most important, and I wanted to give her a special thanks because she means everything to me.
We love a girl for very different qualities than understanding. We love her for her beauty, her youth, her mirth, her confidingness, her character, with its faults, caprices and God knows what other inexpressible charms; but we do not love her understanding.
But will I always love her? Does my love for her reside in my head or my heart? The scientist in her believed that emotion resulted from complex limbic brain circuitry that was for her, at this very moment, trapped in the trenches of a battle in which there would be no survivors. The mother in her believed that the love she hadd for her daughter was safe from the mayhem in her mind, because it lived in her heart.
The world is a better place because of Margot. Let us remember and give thanks for Margot, her brilliant mind, her loving heart, her beautiful voice, her activism, her writings, her news reporting, her other works, her magic, her bright spirit.
For a long time, she held a special place in my heart. I kept this special place just for her, like a "Reserved" sign on a quiet corner table in a restaurant. Despite the fact that I was sure I'd never see her again.
Love her, love her, love her! If she favours you, love her. If she wounds you, love her. If she tears your heart to pieces – and as it gets older and stronger, it will tear deeper – love her, love her, love her!
Getting to play the part of Selena was life-changing for me, i got to immerse myself in her life, got to know her family, her home, her culture ... every part of her story. It was a special time in my life both professionally and personally. Playing her not only opened doors for me in the film world, but it inspired me to start my own music career. In a lot of ways, I wouldn't be where I am today if I hadn't had that experience.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
Her motivation was love, her love for her father, and her journey of finding out who she truly is. That was my homework, and I would say that it motivated me to prepare myself mentally, but also physically, with a lot of gym stuff, fight training, horse training. But at its core, 'Mulan' is really about the character, the spirit.
A great commotion immobilized her in her center of gravity, planted her in her place, and her defensive will was demolished by the irresistible anxiety to discover what the orange bells and whistles and the invisible globes on the other side of death were like.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
I want a girl because I want to bring her up so that she shan't make the mistakes I've made. When I look back upon the girl I was I hate myself. But I never had a chance. I'm going to bring up my daughter so that she's free and can stand on her own feet. I´m not going to bring a child into the world, and love her, and bring her up, just so that some man may want to sleep with her so much that he's willing to provide her with board and lodging for the rest of her life.
Her heartbeat was in her hands, her heart beat the way she moved her head, her whole body was her heart beating.
There was one very special scene at the end of the film. My character, Zhao Di, has been sick. She wakes up and her mother tells her that the man she loves has come back from the city and had spent the day by her bedside.
All of her heart, a meaningless phrase, but correct and precise, too. She used her heart to love him, not her head, and not her words and not her thoughts or ideas or feelings or any other vehicle or object or device people use to deliver love or love-like things.
To give money to a woman - and here I must speak as a man - is to deny her special quality, her irreplaceability, and reduce her unique amiability to a commodity. Money takes away her name, while transforming her lover into a nameless customer of a market of appetites.
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