A Quote by Elodie Yung
Elektra isn't a villain and isn't a good girl, but as Frank Miller said, she is one of the villains with a weak streak in them, and that's a failure that I tried to explore.
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Villains can often be one note and I would say in that case, it’s not fun to play the villain. It’s fun to play the villain if he a) has dimension and b) the villain gets to do all the things in the movie that in life he would get punished for. In the movie, you’re applauded for them if you do them with panache. And so that’s why it’s more fun to play the villain.
'Daredevil' is haunted by Frank Miller, from the standpoint of the Frank Miller run on 'Daredevil' is so insurmountable.
The thing about villains is that villains always have their own logic, and they don't necessarily see themselves as villains. Richelieu is not a villain, in his own mind. He's doing what he needs to do.
What are these guys?" He whispered "Canadians," Percy said. Frank leaned away from him. "Excuse me?" "Uh, no offense," Percy said. "That's what Annabeth called them when I fought them before. She said they live in the north, in Canada." "Yeah, well," Frank grumbled, "we're in Canada. I'm Canadian. But I've never seen those things before.
I think I would be a good villain in a James Bond movie. They were fairly weak, the last half-dozen of villains in James Bond movies were not that convincing.
That's the Elektra I tried to portray: one that's always in the grey. She is a tortured soul.
Some of the things I love the most are when a writer or a visionary takes on sort of an iconic character and then spins it. Like with Frank Miller, Batman was this one thing for basically forty years, and then Frank Miller came along and said he can also be this other thing. And Christopher Nolan came along and said he can also be this other thing. The idea of taking iconic comic book characters or superhero characters or mythic characters and subverting the genre or coming up with a new idea is something that's really interesting to me.
I'm gonna be percy Jackson when I grow up," she told Hazel solemnly. Hazel Smiled and ruffled her hair. "That's a good thing to be, Julia." "Although," Frank said. "Frank Zhang would be good too.
Actors endow the villain in fiction with a warmth and quality that makes them memorable. I think we like fictional villains because they're the Mr. Hyde of our own dreams. I've met a few real villains in my time, and they weren't the least bit sympathetic.
Shakespeare villains were extraordinary. Macbeth, Iago, Richard III... They're so richly layered that a British actor would find it almost impossible to create a two-dimensional villain, if he's explored in his early years or continues to explore his Shakespearean heritage. You can almost not judge them, if they're played really well.
The Sisters vanished entirely then, and Aunt Harriet was standing over Tessa, her face flushed with fever as it had been during the terrible illness that had killed her. She looked at Tessa with great sadness. "I tried," she said. "I tried to love you. But it isn't easy to love a child that isn't human in the least...." "Not human?" said an unfamiliar female voice. "Well, if she isn't human, Enoch, what is she?" The voice sharpened in impatience. "What do you mean, you don't know? Everyone's something. This girl can't be nothing at all.
For Elektra, I just wanted to be very clear. She's traveled the world. She didn't go to boarding school, but that's the type of girl that she'd be. So, I just wanted to make sure that I could bring that to her, which goes through the language.
I really think I tried to capture the essence of the comics: what I thought would be the essence of Elektra. And then, as any character that I play, I really tried to dig inside me and try to reach real emotions and transpose that in her world, in who she is.
Some people have said Brother Khalid was a villain, but we know he was a victim in a world that is evil. Racism and injustice are the real villains here.
Villains often more the story along while the heros react to the villains, so the villain becomes the engine of the story.
So much in TV today, you don't get to feel empathetic for the villain. The villains are the villains and the heroes are the heroes. It's very black and white.
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