A Quote by Elodie Yung

I didn't want to make a caricature version of Elektra. — © Elodie Yung
I didn't want to make a caricature version of Elektra.
Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.
I didn’t and don’t want to be a ‘feminine’ version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
We may say that hysteria is a caricature of an artistic creation, a compulsion neurosis a caricature of a religion, and a paranoiac delusion a caricature of a philosophic system.
I learned about the psychology behind Elektra and that excited me. And then I read the 'Daredevil' comics, especially when they met because I wanted to get an understanding of the relationship between Elektra and Matthew.
I certainly thought of who [Tony from "I Don't Feel at Home in This World Anymore"] was. He was so different from anyone I've played. And it was so important for me and Macon [Blair] - this was on the page too - to not make a caricature. There's a version of Tony that I think could be heightened.
I'm not going to become a costume version or caricature of myself; I like to morph.
This is not the story of Elektra from the comics. We're telling the story of 'Daredevil.' In this aspect, the storylines accentuate the sociopathic tendencies in her. The writers wanted to highlight that Elektra is quite manipulative and doesn't seem to have a conscience.
The idea of getting old is horrific, but I don't want to make it worse by becoming a grotesque caricature. A lot of people have made that mistake of trying so hard to hang on to their looks that they make themselves look really scary.
You just have to get one misstep - that's an easy way to fall into caricature. Bad caricature.
I always really curious to see how people interpret things. I know my version, and I'm kind of bored with my version so I want to see their version.
I don't have a philosophy of caricature. I'm not even sure I am a caricaturist, in the strictest sense of the word - I don't really exaggerate much. For a while, recently, I was thinking of attempting a reverse-caricature of Donald Trump; he certainly already appears to be a caricature of himself. I wondered about de-caricaturizing him, scaling back his whole face and hair and visual excess, and attempting to shed light on him that way.
As you get to the end of the project you want to run all the tests cases against one version and make sure that you know that that version passed everything. And so as you get late in the project you get a little more conservative about making radical changes to the software.
A simple caricature, a simple sketch - that's fine. There's nothing wrong with that. But if you draw up a caricature... if you associate that subject with the things you're not supposed to, then, of course, you can't expect that to be acceptable.
I've never been that uncomfortable talking about it. Things come out [in the media] about me. When it's out, it's someone else's version of what's the matter with me. I want it to be my version of what it is. My recourse is to do my version.
It's the time to make choices you can be proud of. It's the time to be the best version of yourself and in the process, somewhere along the way hopefully you attract the best version someone else has to offer. The more you challenge yourself, the higher your expectations become for your life and the people you want to have in it.
A good story isn't the one that shuts everyone down and sort of leaves them in silent awe. A good story is one that, even before you finish the anecdote, you can see their eyes shining because it has so resonated with something from their own lives that everyone in the group has a version of the same story and they cannot wait to tell it, and that they're going to compete to make their version even more extreme than your version. So your version is just a seed.
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