A Quote by Elodie Yung
That's the Elektra I tried to portray: one that's always in the grey. She is a tortured soul.
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I got 'Elektra: Assassin,' and that's where I learned that she was a tortured soul. She's been through a lot and was possibly psychologically unstable.
I really think I tried to capture the essence of the comics: what I thought would be the essence of Elektra. And then, as any character that I play, I really tried to dig inside me and try to reach real emotions and transpose that in her world, in who she is.
Elektra isn't a villain and isn't a good girl, but as Frank Miller said, she is one of the villains with a weak streak in them, and that's a failure that I tried to explore.
She tortured everybody around her, but only because she was more tortured than anyone.
Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.
I try not to read reviews, but if it's a really important review or somebody sends it to me, I'll read it. It's really interesting when you read a review of yourself, you see this weird reflected image - it's like looking a funhouse mirror. Like, "It's sort of me, but is my neck really that elongated?" Sometimes it's vaguely embarrassing what people think of you. When I was in Italy doing this press-interview day, this guy asked me, "Are you a tortured soul?" It's embarrassing to have somebody think you're a tortured soul, or that you think of yourself as a tortured soul.
No," Wednesday agreed. "You have tortured with silence. You let her grieve for a soul she did not lose, mourn a heart that should not have broken, and berate herself for betraying the man she loves...with the man she loves. It can't be 'true' love without the truth, Rumbold.
James Dean was always a tortured soul.
I have always tried to portray each role as differently as possible.
The hero of my tale, whom I love with all the power of my soul, whom I have tried to portray in all his beauty, who has been, is, and will be beautiful, is Truth.
One doesn't necessarily have to be grey-haired to portray a mother.
I learned about the psychology behind Elektra and that excited me. And then I read the 'Daredevil' comics, especially when they met because I wanted to get an understanding of the relationship between Elektra and Matthew.
It is hard to describe the thrill of creative joy which the artist feels when the conviction seizes her that at last she has caught the very soul of the character she wishes to portray, in the music and action which reveal it.
This is not the story of Elektra from the comics. We're telling the story of 'Daredevil.' In this aspect, the storylines accentuate the sociopathic tendencies in her. The writers wanted to highlight that Elektra is quite manipulative and doesn't seem to have a conscience.
Her grey eyes sparkled with passion as she spoke. Sid looked into them and for a second he glimpsed her soul. He saw what she was - fierce and brave. Upright. Impatient. And good. So good that she would sit covered in gore, shout at dangerous men, and keep a long, lonely vigil - all to save the likes of him. He realized she was a rare creature, as rare as a rose in winter.
Even the sky was grey. Grey and grey and greyer. The whole world grey, everywhere you look, everything grey except the eyes of the bride. The eyes of the bride were brown. Big and brown and full of fear.
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