A Quote by Elon Musk
The X is an amazing car, but we kind of got carried away with the art and technology. Obviously, you want great art. You want great technology. But we did get a little distracted from our mission, which was to advance the cause of electric vehicles. And it probably delayed us a little bit with the Model 3 as well.
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Technology is technology and then art form and people's creativity is another thing. Anything that helps an artist do anything - great! Technology for technology sake doesn't mean much to me anyway.
I believe 3D is inevitable because it's about aligning our entertainment systems to our sensory system. We all have two eyes; we all see the world in 3D. And it's natural for us to want our entertainment in 3D as well. It's just getting the technology - it's really more the business model than the technology piece. We've solved the technology.
It is definitely true that the fundamental enabling technology for electric cars is lithium-ion as a cell chemistry technology. In the absence of that, I don't think it's possible to make an electric car that is competitive with a gasoline car.
If you're going to go into space, you have to have an objective, a mission. Where do you want to go? Earth orbit? The moon? Mars? What's the technology to get there? You develop the technology for the mission.
It's easy to fall into the trap of assuming that a new technology is very similar to its predecessors. A new technology is often perceived as the linear extension of the previous one, and this leads us to believe the new technology will fill the same roles - just a little faster or a little smaller or a little lighter.
This is an important generation for the future of hybrid vehicles. With these models as well as the Ford Escape and the Honda Accord we're starting to see hybrid versions of mainstream vehicles. The auto makers are giving customers a direct choice: to opt for hybrid technology on a given model, or not. Will they pay the premium for the hybrid technology when everything else about the vehicle is the same?
I want the strangeness and weirdness and incomprehensibility of life that art can reflect so well, but I want it to feel like a mystery that is inviting us in. Sagan's great art lesson for me was generosity of wonder and making curiosity contagious.
To view space as, "Well, let's go to Mars now," or "Let's do this now," maybe we should rethink of space as our backyard and have a suite of launch vehicles that can enable any ambition a person has regarding space. It's the same way you can go to buy a car: I want to go offroading, I'll buy this model. I'm a city driver, that's this model. I want to use less fuel, well, that's this model. They're not selling you one car, you have options. So when I think of space, I think of having options.
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
I prefer theater and film. I did a little television, and obviously I'm not knocking it. It can be great, and it does pay the bills. But it's a little bit more disjointed.
I've always been fascinated with the juxtaposition of technology in music, not only in recording, but in the keyboard. It's amazing the way you can apply technology to an art form.
Everybody in technology seems to want big numbers. Steve never got carried away with that. He focused on making the best.
I'm proud of 'The Hidden.' I feel like we took a B-movie and kind of turned it into an A-minus action movie. We kind of elevated the material a little bit. It's got a great car-chase scene at the very beginning. It has some terrific moments in it, some funny stuff. It's a great rental.
Knowing that a great bit of the technology is active and actually happening, and that the technology that we're talking about, in terms of uploading a human consciousness, is probably not all that far away, to be honest. Indeed, it will happen. It's pretty close.
Inside a company, you can mandate that everyone use the same technology, which means you can go a little bit, I don't know, higher fidelity than the lowest common denominator technology.
Obviously, the cinematography of films is art, just as a still shot can be art. If I'm watching a Wes Anderson movie, the colour palettes alone, and the way they're painted, could be art. With music, you're a little bit limited, of course, because it's only audio.
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