A Quote by Elon Musk
If anyone thinks they'd rather be in a different part of history, they're probably not a very good student of history. Life sucked in the old days. People knew very little, and you were likely to die at a young age of some horrible disease. You'd probably have no teeth by now. It would be particularly awful if you were a woman.
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I have seen several deaths, too many deaths in my life, and they were all different. Each one was different. It didn't seem to be necessarily connected with the life of the person. Some people that were not particularly developed or outstanding or spiritual died very easily. Some other people were on a very high level and had a difficult time in dying.
My mother and my father had very, very strong Scots accents. We were Australian, and in those days when I was young, I spoke with a much more of an Australian accent than I have now. However I knew that if I went to England to become an actor, which I was determined to, I knew that I had to get rid of the Australian accent. We were colonials, we were Down Under somewhere, we were those little people Over There. But I was determined to become an Englishman. So I did.
I realized that most white Americans knew very little about our history and our struggle, and were having difficulty understanding the basis for our agitation and our resistance and our complaints. I also discovered that while black Americans had a sense of the beauty and tragedy of the journey from the time of slavery until now, we were not rooted in the specifics. I thought one way to familiarize people with that history would be through the voices of the great folk artists.
Of course there were times, particularly when you travel, when it's very tough to leave the kids, particularly when they were very young. I would try to take them with me when I could just so they could experience and see a little bit of what a work day involved.
Scientists are educated from a very early time and a very early age to believe that the greater scientist is the scientist who makes discoveries or theories that apply to the greatest ambit of things in the world. And if you've only made a very good theory about snails, or a very good theory about some planets but not about the universe as a whole, or about all the history of humankind, then you have in some sense accepted a lower position in the hierarchy of the fame of science as it's taught to you as a young student.
Now supposing I had the part of a young woman to give out, one that wanted some excellent acting. If I were to go to the stage for my actress I would have to take a matured woman, one who would act splendidly, but who would look too old for the requirements.
Medicine allows people to live who would otherwise die, so antibiotics will let people survive infections that they might be otherwise very vulnerable to and even little things might make a big difference, so I wear eyeglasses because my eyes aren't particularly strong, before there were eyeglasses someone at my age would probably not be good for much.
The people in Coming of Age were far less curmudgeonly than you would think. The greater percentage said that without the young we'd be lost. One woman, a former Southern belle, now 87, a philanthropist, says, "Well, these young, their history's been stolen from them. And what have we done to make them respect us?"
When we were young, we knew things. We knew basic history, even as it related to fashion. Now, when something reappears, an 18 year old has no clue that it's a revival. Despite the fact that they're almost always online they don't get references. I think that's part of why visual things are becoming so derivative.
Ethics and power are separate. Ethics and morality. I think life would be miserable if there weren't some kind of code that people operated by, but history is full of many, many people who have gotten power by very unethical means, and people who were very ethical, who get no power, people who have the most brilliant, lovely, wonderful, nice intentions and bring about horrible things in the world because they don't know how to play the power game.
What I was talking about was, of course, very autobiographical - '68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future. There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
My children came out as individuals in their own right. They were not my products. They had their own characters and were very strong-minded. I gave them a lot of freedom when they were still very young. The one thing they got from me is morals. They would never betray anyone. They are really good people.
There is a strong conservative instinct in the average man or woman, born of the hereditary fear of life, that prompts them to cling to old standards, or, if too intelligent to look inhospitably upon progress, to move very slowly. Both types are the brakes and wheelhorses necessary to a stable civilization, but history, even current history in the newspapers, would be dull reading if there were no adventurous spirits willing to do battle for new ideas.
I think in the early part of my career, the roles were so disparate that it never gave anybody an opportunity to understand my essence and what I would be good at doing, as opposed to what I would not be good at doing, so these little moments of beautiful things that were happening to me were consistent, but very few and very far between.
Gunn would be an important figure-rewarding, delightful, accomplished, enduring-in the history of English-language poetry even were his life not as fascinating as it now seems; he would be an important figure in the history of gay writing and in the history of transatlantic literary relations even were his poetry not so good as it is. With his life as it was and his works as they are, he's an obvious candidate for a volume of retrospective and critical essays, and this one is first-rate.
Growing up, there were TV shows that were very funny but very traditional. Classic things like 'Fawlty Towers,' obviously, and 'Blackadder' were pretty traditionally shot. And then there were the ones that start to break the mold or be really ambitious. The ones that spring particularly to mind would be 'The Young Ones.'
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