A Quote by Elsa Barker
The solving of almost every crime mystery depends on something which seems, at first glance, to bear no relation whatever to the original crime.
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Crime seems to change character when it crosses a bridge or a tunnel. In the city, crime is taken as emblematic of class and race. In the suburbs though, it's intimate and psychological, a mystery resist to generalization, a mystery of the individual soul.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
It makes that a virtue which is not a virtue, and that a crime which is not a crime. Religion consists in a round of observances that have no relation whatever to natural goodness, but which rather exclude it by being a substitute for it. Penances and pilgrimages take the place of justice and mercy, benevolence and charity. Such a religion, so far from being a purifier, is the great corrupter of morals.
It's harder to confess the sin that no one believes in Than the crime that everyone can appreciate. For the crime is in relation to the law And the sin is in relation to the sinner.
In a mystery, the sleuth must be believably involved and emotionally invested in solving the crime.
We are not prepared to consider special category status for certain groups of people serving sentences for crime. Crime is crime is crime, it is not political
All societies have these cases. There are many, many crime cases that remain famous from the times of the Romans. The Bible is full of crime stories. You can almost flip to a page. Joseph being sold into slavery by his brothers is a crime story. The Bible is full of crime stories.
The idea that the sole aim of punishment is to prevent crime is obviously grounded upon the theory that crime can be prevented, which is almost as dubious as the notion that poverty can be prevented.
I want to bear down on violent crime, in all its aspects from terrorism to sexual offences but definitely knife and gun crime, particularly as it affects young people.
Once I got interested in organized crime, and, specifically, Jewish organized crime, I got very interested in it. I have learned that, like my narrator Hannah, I'm a crime writer in my own peculiar way. Crime with a capital "C" is the subject that I'm stuck with - even Sway is about "crime" in a certain way. The nice thing about crime is that it enables you to deal with some big questioO
There is no den in the wide world to hide a rogue. Commit a crime, and the earth is made of glass. Commit a crime, and it seems as if a coat of snow fell on the ground, such as reveals in the woods the track of every partridge and fox and squirrel and mole.
I was a late bloomer. I was 38 when my first book was out and 43 when my first crime novel was out. I had a story that could only be told as a crime story. I think the genre is good; it deals with the fundamental questions of life and death. The problem is there are too many bad crime stories.
I like crime movies where the crime is so incredible that, attractive as it seems, you don't wanna do it because it's just too dangerous.
The law which attempts a man's life [capital punishment] is impractical, unjust, inadmissible. It has never repressed crime - for a second crime is every day committed at the foot of the scaffold.
Maybe I don't see enough television, but it seems there aren't many shows that are romantic comedies that are an hour long where you're not solving a crime or being a doctor.
When I look at Perfidia, I think, "That's a Pulitzer Prize winner. That's a National Book Award winner." It's not going to get it. It's going to be shelved in crime and it's just the way it is. I've done something that no one else has ever done; I've started out as a mystery writer, a police writer, and a crime writer, and I became something entirely different.
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