A Quote by Elsa Maxwell

the wealthy ... live in marble mausoleums surrounded by the suspicions and neuroses that have replaced the medieval moats which once isolated so-called aristocrats from reality.
Americans overall may live better than medieval aristocrats could dream of, but that means nothing when oligarchs live in the neighborhood next door, flaunting their luxurious homes and top-quality private schools.
I've always been an outsider. I grew up in an isolated house surrounded by three moats. There was no money. I left school early. It was a world of its own. I became fascinated by consciousness because there was nothing much to do except mooch about and think. I had the occasional mystical experience. I studied consciousness, reading all the books I could get.
After telephone, kinematograph and phonograph had replaced newspaper, book schoolmaster and letter, to live outside the range of the electric cables was to live an isolated savage.
My mum was born in the former Czechoslovakia, and even though my grandparents weren't wealthy, they were aristocrats in their time.
In this modern world, the celibacy of the medieval learned class has been replaced by a celibacy of the intellect which is divorced from the concrete contemplation of the complete facts.
What I want to show in my work is the idea which hides itself behind so-called reality. I am seeking for the bridge which leans from the visible to the invisible through reality. It may sound paradoxical, but it is in fact reality which forms the mystery of our existence.
Video is originally a de-corporation, a disqualification of the sensorial organs which are replaced by machines. The eye and the hand are replaced by the data glove, the body is replaced by a data suit, sex is replaced by cybersex. All the qualities of the body are transferred to the machine.
Everybody lives in this world, except lovers! They live in an isolated small place called 'You and I' planet!
We live surrounded by a systematic appeal to a dream world which all mature, scientific reality would reject. We, quite literally, advertise our commitment to immaturity, mendacity and profound gullibility. It is as the hallmark of the culture. And it is justified as being economically indispensable.
The thing I like most in my kitchen is my marble counters. Everybody said not to use marble because it's fragile, it stains, it cracks, and it doesn't remain beautiful. But I love marble.
Albania was a very isolated country, politically, economically, and culturally. Our only connection to the world was through a radio program called Voice of America, and through the Italian television waves, which we caught illegally through primitive, improvised antennas. The only way to escape from reality was reading books.
But that's not how most of the people mentioned in this book became wealthy. Most of them became wealthy by being well connected and crooked. And they are creating a society in which they can commit hugely damaging economic crimes with impunity, and in which only children of the wealthy have the opportunity to become successful.
Think'st thou I'd make a life of jealousy, To follow still the changes of the moon With fresh suspicions? No; to be once in doubt Is once to be resolved.
Once, players came to football expecting to be wealthy when they retired. Now, they expect to be wealthy before they've played their first game!
Reality television is to television what marble and gold are to real estate. The point is to dispense with the idea of taste. It's all id. The more unrestrained the better. We all know that 'reality' in reality television is not real. That anybody who would participate in reality television is a fake. But pretending otherwise makes them real.
Suspicions that the mind, of itself, gathers, are but buzzes; but suspicions that are artificially nourished and put into men's heads by the tales and whisperings of others, have stings.
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