A Quote by Elsa Peretti

Portofino in the '60s was magic. Women in bright silk, each with a gardenia in their hand. The bottle started then, in my mind. — © Elsa Peretti
Portofino in the '60s was magic. Women in bright silk, each with a gardenia in their hand. The bottle started then, in my mind.
I was 16 at the time, and I came backstage and started hanging out with them. I said, "Well, maybe you can 'vanish' the silk this way." The opening was a black stage while the "Magic to Do" song started playing. All you saw were hands, lit by Jules Fisher, and then Ben Vereen would appear beyond the hands, and at the end of the scene he would vanish a silk. The spotlight would hit a red spot on the floor where you'd see the silk on the floor. He'd pull the silk out of the floor and it became the entire set coming out of the floor.
My brother was older, very bright. He went to university. I wasn't academically bright - maybe at first, when I was little, but it was lost. I started doing a drama workshop and got really into it, then I did a BTec in performing arts and started to work.
Exaggerating?" Silk sounded shocked. "You don't mean to say that horses can actually lie, do you? Hettar shrugged. "Of course. They lie all the time. They're very good at it." For a moment Silk looked outraged at the thought, and then he suddenly laughed. "Somehow that restores my faith in the order of the universe," he declared. Wolf looked pained. "Silk," he said pointedly, "you're a very evil man. Did you know that?" "One does one's best," Silk replied mockingly.
Black women have never embraced feminism. They didn't embrace it in the '50s and '60s; they're not embracing it now. That's not new. I think it's a tendency among women in general not to be supportive of each other.
To the extent that '60s guys own things, yes... but I don't have the publishing, just like most '60s guys, and that was an error, you know... part ownership in publishing was the kind of era that started a little bit later, when real businessmen started to manage artists.
There are 3 kinds of magic in our world. The peddling little magician magic like Uncle Andrew in 'The Magicians Newphew' where people mess around with things they don't understand. It's movie magic. Then there is the magic of the evil side of things. The demonic forces. And that's not really magic... it's corruption of what really exists. And then finally there is the magic of the Holy Spirit of God which is the creation and maintenence of the universe. We don't understand it... and we haven't the faintest idea how He does it. But it's real. That's the deep magic.
Already the dream was coming apart, its bright silk strands unwinding into nebulous emotions, little coloured clouds of feeling being dispersed by the movement of my waking-up mind. This is how it's always been with Light Bulb Fragment dreams; by the time I'm fully awake, they're gone.
History--the product, not the raw material--is a bottle with a label. For many years now, the emphasis of historical discussion has been laid upon the label (its iconography, its target-group of customers) and upon the interesting problems of manufacturing bottle-glass. The contents, on the other hand, are tasted in a knowing, perfunctory way and then spat out again. Only amateurs swallow them.
In matters of dress we wish neither silk nor rags," President Hinckley said. "We seek for the clean look, call it a wholesome look, the bright and happy look of young men and women who walk with a sense of who they are, of what is expected of them, and of what they may become.
I started to do silk-screen in the early days of my painting training, due to a woman who taught art history at the institute, Kathleen Blackshear. She was interested in silk screen and taught a class that I took.
The Department of Homeland Security recommends a three-day supply of water consisting of one bottle per day for each person in your home. Plus one extra bottle to give you all something to kill each other over on day four.
Each practitioner thinks there's one magic way to get a machine to be smart, and so they're all wasting their time in a sense. On the other hand, each of them is improving some particular method, so maybe someday in the near future, or maybe it's two generations away, someone else will come around and say, "Let's put all these together," and then it will be smart.
When I started my goal was to make a successful underground movie. I started making movies in the mid-60s. Underground cinema then only lasted about two or three years.
When you talk to women who were working as print journalists or in broadcasting in the '50s, and then you talk to women who were working in the late '60s, there's an enormous difference. There had already been a huge transition. Then, of course, you get well into the '70s and there were women with children working.
[Magic] can guide people to the very edge of reason - and then push them off. Thoughts collapse for a moment and the mind is free to just experience. Magic is a window to eternity.
My father has a pragmatic mind. He marched with Dr. King in the '60s, and he's very much for women's rights.
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