A Quote by Elsie de Wolfe
Light, air and comfort - these three things I must always have in a room.
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Go into a room where the shutters are always shut (in a sick-room or a bed-room there should never be shutters shut), and though the room be uninhabited-though the air has never been polluted by the breathing of human beings, you will observe a close, musty smell of corrupt air-of air unpurified by the effect of the sun's rays.
It is the unqualified result of all my experience with the sick that, second only to their need of fresh air, is their need of light; that, after a close room, what hurts them most is a dark room and that it is not only light but direct sunlight they want.
Like a boil that must be opened with all its ugliness to the natural medicines of air and light, injustice must be exposed to the light of human conscience before it can be cured.
Actually, we who engage in nonviolent direct action are not the creators of tension. We merely bring to the surface the hidden tension that is already alive. We bring it out in the open, where it can be seen and dealt with. Like a boil that can never be cured so long as it is covered up but must be opened with an its ugliness to the natural medicines of air and light, injustice must be exposed, with all the tension its exposure creates, to the light of human conscience and the air of national opinion before it can be cured.
The artist does not draw what he sees, but what he must make others see. Only when he no longer knows what he is doing does the painter do good things. A picture is first of all a product of the imagination of the artist; it must never be a copy. If then two or three natural accents can be added, obviously no harm is done. The air we see in the paintings of the old masters is never the air we breathe.
Christmas is God lighting a candle; and you don't light a candle in a room that's already full of sunlight. You light a candle in a room that's so murky that the candle, when lit, reveals just how bad things really are.
...if you wish to get pure air into your room, or if you go for a walk in the fresh air, think of the pure and of the unclean heart. Many of us like to have pure air in the room (and this is an excellent habit), or are fond of walking in the fresh air, but they do not even think of the necessity of the purity of the spirit or heart (of, so to say, spiritual air, the breath of life); and, living in the fresh air, they allow themselves to indulge in impure thoughts, impure movements of the heart, and even impurity of language, and most impure carnal actions.
The decision to grow always involves a choice between risk and comfort. This means that to be a follower of Jesus, you must renounce comfort as the ultimate value of your life.
Journalism, for me, has always been a calling. There are things that must be exposed to the light, truths that must be uncovered, stories worth risking your life for.
I feel such a tenderness for these vulnerable nighttime conversations, the way words take a different shape in the air when there's no light in the room.
Architects in planning rooms today have forgotten their faith in natural light. Depending on the touch of a finger to a switch, they are satisfied with static light and forget the endlessly changing qualities of natural light, in which a room is a different room every second of the day.
We must not inquire too curiously into motives. they are apt to become feeble in the utterance: the aroma is mixed with the grosser air. We must keep the germinating grain away from the light.
Light is good company, when alone; I took my comfort where I found it, and the warmest yellow bulb in the living-room lamp had become a kind of radiant babysitter all its own.
The green-light meeting, when I first started at Paramount, would consist of maybe three or four of us in a room. Perhaps two or three of us would have read the script under discussion.
There are always things I have to remove. I might look at a shot for five months, when somebody new to the screening room will say, 'hey, there's a modern air conditioner in that window.' It's a process.
Remember...we don't see objects, we see light. [...] Light can do anything water can do--flow, wash, trickle. It can do anything an artist can do--paint, burnish, carve. Candlelight falls, licks a face. There is always light in a room.
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