A Quote by Elsie de Wolfe

It does not matter whether one paints a picture, writes a poem, or carves a statue - simplicity is the mark of a master-hand. — © Elsie de Wolfe
It does not matter whether one paints a picture, writes a poem, or carves a statue - simplicity is the mark of a master-hand.
Nature paints the best part of a picture, carves the best parts of the statue, builds the best part of the house, and speaks the best part of the oration.
Raphael paints wisdom, Handel sings it, Phidias carves it, Shakespeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it.
When an artist paints a picture he does not want you to consider his personality as represented in that picture - he wants you to look at the beauty of that picture. No one cares who has painted the picture as long as it is beautiful.
The "truth" is the poem itself. Just because someone writes a poem about a feeling she has does not mean that the feeling will stay forever. The truth of the emotion of the poem remains, even if the particular truth of the poet changes.
What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up.
What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up
All you can usually say about a poem or a picture is, 'Look at it, listen to it.' Whether you listen to a piece of music or a poem, or look at a picture or a jug or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own.
I do feel like no matter what you're doing, whether it's music or writing a play or a poem or drawing a picture or painting something, that you're speaking to what is it you want to express, what is it you want to see.
Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called "silent poetry," and poetry "speaking painting." The laws of each art are convertible into the laws of every other.
It does not in the least concern me whether I shall have at the end of my life thirty people who understand or three hundred. I am like an artist who paints a picture because he must, otherwise he is unhappy - not unhappy, but he must obey that creative impulse.
The way Ben Gibbard paints a picture, you feel like, 'I was there that day with him.' You really feel the way he paints pictures and speaks and talks. It's almost like talk-singing. Paul Simon does that very well as well. He's a huge influence of mine.
Simplicity is never a matter of circumstances; simplicity is a matter of focus. So in the midst of educating and parenting our children, we can't necessarily go ahead and make everything fit into neat, controllable, simple schedules. But the point is, simplicity is: how do we keep our eyes fixed and focused on Christ, no matter where we are?
My Master... Say all you wish of me. It does not matter to me:Shallow.. Stupid.. Crazy.. Simple minded. It does not concern me anymore. For whoever writes about her concerns. in the logic of Men is called a stupid woman. and didn't I tell you in the beginning that I am a stupid woman?
Whether you believe in God or not does not matter much, whether you believe in Buddha or not does not matter so much; as a Buddhist, whether you believe in reincarnation or not does not matter so much. You must lead a good life.
One who writes a poem writes it because the language prompts, or simply dictates, the next line.
The one who writes a poem writes it above all because verse writing is an extraordinary accelerator of conscience, of thinking, of comprehending the universe.
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