A Quote by Elton John
I had no balance in my life. I was this one person onstage and this person offstage, who really didn't know much about living.
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Onstage I'm always different than offstage. I can be very friendly offstage, but onstage I will pull one trick after another on my competition to wipe him out, you know-because it's my living and I have to win. Franco is my best friend, but I will do as much as I can to make him look bad and make me look good.
Onstage it was always comfortable for me because that's where I felt at home. Offstage it was a different situation. I was still shy offstage and unfortunately, my shyness and my inability to communicate and really have great conversations or be part of the gang - in inverted commas - led me to the drug addiction, which, you know, blighted my life for 16 years because I thought by doing that it would make me join in.
The music is key. It has the power to transport you. I go from being a slightly insecure, shy kind of a person offstage, to this super-confident, motivated, entity onstage.
When a dancer comes onstage, he is not just a blank slate that the choreographer has written on. Behind him he has all the decisions he has made in life. Each time, he has chosen, and in what he is onstage, you see the result of those choices. You are looking at the person he is, and the person who, at this point, he cannot help but be Exceptional dancers, in my experience, are also exceptional people, people with an attitude toward life, a kind of quest, and an internal quality. They know who they are, and they show this to you, willingly.
With a living person you're always burdened with this idea of fair representation, treading this fine line between honoring the person, and yet you really look at the word "honor," it implies that you then have to address struggle and hardship and failure, and all these things that it means to be human, that you show the fullness of their life. If the person's living, they are able to interject.
You know, I think whatever a comic talks about onstage is all they talk about offstage.
I had hit a critical period in my life, where I changed very much as a person. I consider the person I used to be, dead, and I'm glad that he is. Insecure, frightened, confused, much like a lot of people I know today.
It's one thing to be dumb or ignorant or be in over your head. But if you can be the person who knows how much he does not know and be curious about the things you do not know, then that automatically lends itself to being a big-hearted, welcoming person who wants to know about every single person you meet.
Onstage, it was always comfortable for me, because that's where I felt at home. Offstage, it was a different situation. I was still shy offstage.
I'm the most mellow person offstage. I think it's just, going onstage lets me get out some frustration that I'm too shy to do in real life. Instead of doing it in private, I'd rather do it in front of 1,000 people who've paid $25 to see me lose my mind.
When you're playing a real person there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
When you're playing a real person, there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
I had friends - and I had situations - where you spend so much time hanging out with your girlfriend that you lose touch with other people. You only really have this one person - and when that person starts to let go, you almost feel like you need to clamp on even harder, you know?
You don't know being a performer what kind of performance you're going to give. You know you can give a certain quality of performance, but as I grow older I'm much more content in my own skin because when I come offstage, I have a balance in my life.
No matter how much you care about a person, you have to be able to know that you can sit down at night and be happy with who you are without that person. That's really hard when you're a lonely emo kid.
When I'm offstage, I never feel famous. I will never let anybody call a restaurant and say, "We're with Kenny Chesney. Can you get us in?" That's so pretentious. I'm pretty simple except for the fact that I have a really great boat and a little bit of money. When I'm offstage I don't feel like the person everybody sees.
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