A Quote by Elton John

Goodbye Norma Jean From the young man in the 22nd row Who sees you as something more than sexual More than just our Marilyn Monroe — © Elton John
Goodbye Norma Jean From the young man in the 22nd row Who sees you as something more than sexual More than just our Marilyn Monroe
I wrote a novel called "Blonde," which is about Norma Jean Baker, who becomes Marilyn Monroe, which I called a fictitious biography. That uses the material as if it were myth - that Marilyn Monroe is like this mythical figure in our culture.
I wrote a novel called 'Blonde,' which is about Norma Jean Baker, who becomes Marilyn Monroe, which I called a fictitious biography. That uses the material as if it were myth - that Marilyn Monroe is like this mythical figure in our culture.
Marilyn Monroe gave more to the still camera than any actress, any woman I've ever photographed; infinitely more patient, more demanding of herself and more comfortable in front of the camera than away from it.
I don't want to be Marilyn Monroe. In many ways, that's a good comparison. Because Marilyn Monroe was a sexpot, all that stuff that I have no interest in. For me, it's much easier to just try to make people laugh than to try to be the hottest thing in the world.
My dad treated Marilyn Monroe more like his daughter than me.
There was no such person as Marilyn Monroe. Marilyn Monroe was an invention of hers. A genius invention that she created, like an author creates a character. She understood photography, and she also understood what makes a great photograph. She related to it as if she were giving a performance. She gave more to the still camera than any actress-any woman- I've ever photographed.
Marilyn Monroe never sold a platinum album. And more people know my music than what I look like.
I never wanted to be Marilyn - it just happened. Marilyn's like a veil I wear over Norma Jeane.
I always loved the style of Jean Seberg, Jane Birkin and Marilyn Monroe.
The man who sees little always sees less than there is to see; the man who hears badly always hears something more than there is to hear.
Everybody who's played Marilyn Monroe before has gone down in flames. It's impossible to capture Marilyn Monroe.
Marilyn Monroe, Jayne Mansfield and I were so different from each other. I was doing very young movies, and Marilyn, who was ahead of me, was doing a lot of homogenized movies that weren't quite as wild as the ones I was doing. Jayne was more of a character of herself.
Much more than our other needs and endeavors, it is sexuality that puts us on an even footing with our kind: the more we practice it, the more we become like everyone else: it is in the performance of a reputedly bestial function that we prove our status as citizens: nothing is more public than the sexual act.
People break down into two groups. When they experience something lucky, group number one sees it as more than luck, more than coincidence. They see it as a sign, evidence, that there is someone up there, watching out for them. Group number two sees it as just pure luck. Just a happy turn of chance.
Rather than an excess of firearms there's a shortage of faith and family that has a lot more to do with what happened out in Littleton. Let's face it, our public square is more hostile to religion than it is to Marilyn Manson.
The last time I saw Marilyn was in late 1959, when I appeared in Let's Make Love at Fox. The wide-eyed Marilyn I had first known was gone. This Marilyn was more beautiful than ever.
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