A Quote by Elton John

I knew about AIDS. My friends were dying right, left, and center. I did a record with Dionne Warwick, Stevie Wonder, and Gladys Knight. I did a couple of benefits. — © Elton John
I knew about AIDS. My friends were dying right, left, and center. I did a record with Dionne Warwick, Stevie Wonder, and Gladys Knight. I did a couple of benefits.
Being around people like Aretha Franklin and Gladys Knight, Dionne Warwick and Roberta Flack, all these greats, I was taught to listen and observe.
Interestingly enough Miles Davis was an influence, and the way he approached harmonics. And one of my biggest influences was Dionne Warwick, early Dionne Warwick.
I think you have a lot of really good artists today. You have your Beyonce, Usher, Nicki Minaj and the like. But our generation, the artists were stronger. You're talking about myself, Ray Charles, Stevie Wonder, Roberta Flack, Gladys Knight, The Temptations, The Four Tops.
I worked with Dionne Warwick, did shows with Bette Midler, and then I did the 25th anniversary of the Rock and Roll Hall of Fame with Springsteen at the Garden. It was all important stuff because you want people to know you can work, you can sing, and you can still look good!
When I was growing up, my dad would always be playing Motown around the house. He loved Stevie Wonder and the Supremes and got me into Dionne Warwick. It was the best music I'd ever heard. It was just that extremely deep, human, thought-out stream of ideas. You can always hear something new when you listen to that music.
Every record I have done was because I was a person's friend. The only time we did not continue to be friends was if the record did not become a hit. If it did, we became great friends.
I have friends of mine who have died of AIDS and many of those friends...did not tell me until the very end...because they felt that there was a stigma, a taboo, attached to it...now we have more women infected with HIV/AIDS, many of those women were infected by their husbands who did not tell them
I burned out on AIDS and did no AIDS work for a couple of years. I was so angry that people were still getting this disease that nobody can give you - you have to go out and get it!
I have been singing since I was two years old, my parents tell me, and started to write songs when I was fifteen. Eventually, my friends and my parents knew that this was something I liked to do. They also knew I had a dream of making my own album. They have always been encouraging me to do something about it, and so I did. So I went to a local radio station in Tromsø, and there I got to record a couple of songs.
Yesh Atid is a Jewish, religious-secular party. Our DNA is center - both Left and Right. The difference between center-left and center-right is more emotional and hereditary than having to do with what people think about the Palestinians.
We did not purify... We saw some particles but they did not have the morphology [shape] typical of retroviruses. They were very different... What we did not have, as I have always recognized it, is that it was truly the cause of AIDS.
I think the single most important political distinction today is actually between open-minded versus closed-minded, and that's why I think this crosses the boundaries of traditional - center-right and center-left have much more in common with each other right now than the right does with the center-right, and the left does with the center-left.
Stevie Wonder is just one of those guys that completely delivers everything that you want to be true about Stevie Wonder. He's an amazing human being, and the fairytale exists with that man.
Sometimes people will bring up these odd things that I did a one-off from. Like, I did a 'Knight Rider,' and I'll get an E-mail from a 'Knight Rider' fan who says, 'Look what I did to my car!' And I don't know if you know about this, but there is a sub-cult of 'Knight Rider' fan who trick out their cars to look like KITT. I'm, like, 'Really? Isn't there anything else you can do? Do you make that much money? Because I have projects I'd like to get off the ground, so how about you don't make KITT and you give it to me?'
Of all the soul divas, Gladys Knight was the one for me. Knight's always been about tone and heart, none of the big showboating or extraneous doodling. She nailed a melody and only played a little around the edges like Ma Staple.
My dream collaboration would be with someone like Bjork, Kate Bush, or even Dionne Warwick.
This site uses cookies to ensure you get the best experience. More info...
Got it!