A Quote by Elton John
What record companies do these days is drain the blood dry of an album, take six singles off it, and harm the longevity of artists' careers by doing it.
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I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
The industry has changed in that it is far more disposable than it used to be. When Boyzone came out, we were given a shot and the patience to record our singles and albums. Nowadays, the thought is if it is not working, then the artist will be dropped. The record companies will bail on the artists, and I find that sad.
In those days it was pretty cut and dry. If you had a record company believing in you enough to cut an album then you had better have the ability to work the album on the road.
Most artists should be able to make the album that they want. You don't necessarily pick the singles that you want when you're making a record, but for the most part it's the same process.
When certain bootleg companies started off and they would take maybe ten per cent of whatever they got and help fuel new bands, which I'm cool with, I think that's a good idea. Most of the record companies are not doing that.
When you record an album in six days, you don't have time to work out a lot of stuff.
The opportunity to record the song came when Phil Collins' record label, Atlantic, was doing a tribute album to him and they asked all these different artists to do renditions of his songs.
They say the music you listen to in your formative years stays with you and leaves an impression for the rest of your life. For me, the things that I fell in love with happened in the '70s, when artists were nurtured by record companies and it wasn't about singles.
Just six days after its release on iTunes, a record-breaking 33 million people have already listened to the album.
But acting is my main profession so it's about finding the right balance. I don't know how, if I went any further with the music, I would manage to do both - I would have to take time off from acting because I couldn't do both at same time. I could do six months on and six months off perhaps. But I'm really proud of the record. I've worked on it for a while and I'm really glad to finally get the album out, having done three EPs prior to its release.
Growing up, I remember I had several different 45 singles. But the first album I received was from a family friend: Emmylou Harris' 'Roses In The Snow.' It was so incredible. This record, to this day, is the favorite album of my life.
It don't take me no three days to record no album.
I don't know if I want to record together again. I go off and on it... In the old days, when we needed an album, Paul and I got together and produced enough songs for it. Nowadays, there's three of us writing prolifically and trying to fit it all into one album.
I'm really glad we came up when we did. When we got started, the record companies were concerned with building careers. They made sure you could put on a live show before you put a record out. And if your first album sold 100,000 to 200,000 copies, they were happy, because they figured you had your foot in the door on a way to a long career.
I have been fortunate enough to record several singles and a whole album with Chet Atkins.
I don't think there is room for 'artistic temperament.' Professional artists understand art is a business. If businesses ran their companies like many artists do their careers, they would not stay open a year.
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