A Quote by Elton John

There's no pressure for me to go out there and say, I've got to have a top 40 hit because it's not going to happen. — © Elton John
There's no pressure for me to go out there and say, I've got to have a top 40 hit because it's not going to happen.
I'm going to fail to hit the mark I've put up before me because it's not possible to hit it. I want to be the best at what I do so I've got to get over myself already because that's never going to happen. I ain't ever going to be God.
I've already got 10,000 more eyes on me because I am of color and they're going to see what I can do in the top series. That's enough pressure in itself, so I don't need to add extra pressure.
I don't know what other fighters do, but when I get hit and go down, I smile and I say, 'I'm going to hit you harder than you hit me, and I'm going to knock you out.' The times I go down and get back up - that's when I'm the most dangerous.
I would say that everyone that you see who is successful in the mainstream, at the top of Billboard, who has a Top 40 hit... at some point, unless they're a complete fabrication of the industry with no identity of their own and a carbon copy clone of someone else, they in themselves started out being underground.
I feel that, irrespective of a hit or flop, there's always pressure on an actor. When you give a flop, there's a pressure to ensure that the next film works, and when you give a hit, you want to keep it going. So, the pressure of success and failure is always there, and that's what keeps me going.
So many times, I watch games and think, 'Man, why is that guy trying to score like that? He can't do it.' But he's been told his whole life, 'You have to go get 40 if you want to be one of the top dogs.' It's my goal to build a lane where you can be a top dog, and you don't gotta go get that 40. You can go get four and still be a top dog.
The pressure was always there, but I feel like it was almost invisible to me. I had too much going on once I got rolling with Evolution and won my first title. They say the cream rises to the top, and I felt like the cream. I rose to the top real quick, and I was surrounded by Triple H, Ric Flair, Shawn Michaels, Undertaker, these guys who were very well respected in the profession, and they wanted to work with me.
When I get to 40, I'm going to re-evaluate everything and then go from there. Because when I get to 40, I would like to see where I'm at in my career because I might want to go, 'You know what, I'm done. I'm just happy with everything,' and I'm going to go off my merry way, and I'll probably never pick up a golf club ever again.
My parents never put a lot of pressure on us to be any kind of way.... I have my funny moments where I look at myself and think, Oh, this is a disaster. But you have to give yourself a reality check and go, All right, if I feel this way, I'm going to do something about it that's healthy. I can't look at somebody who is 6 feet tall and 120 pounds and say, I'm going to get that body. That's just never going to happen. You have to work with what you've got.
I didn't want to go for the 'X Factor' because I just thought people were going to laugh and take me off the stage. You just got to go for it because what's the worst that can happen?
People say you should go out at the top but I was enjoying my football so much. Robbie Fowler's exactly the same: he's not playing for money any more, he's playing for enjoyment. Why go out at the top if it's going to make you miserable? I just wanted to play as long as I could.
I don't trust the people when they say, 'There's pressure when you're top.' I prefer the pressure of being top of the table.
The most pressure I felt was for the first 'Paranormal Activity,' because when it was released, whether it was going to be a hit or not, I knew it was going to be a life-altering event for me.
Pitchers did me a favor when they knocked me down. It made me more determined. I wouldn't let that pitcher get me out. They say you can't hit if you're on your back, but I didn't hit on my back. I got up.
There is always pressure. If you make a flop film then you are under pressure to make a hit film. If you make a hit film then you are under pressure to surpass your own standard or at least deliver another hit because the audience also has expectations.
Ninety percent of the time, I'm wearing imaginary people's clothing. I don't feel a huge pressure to go out and, like, hit the town, hit the boutiques.
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