A Quote by Elvis Costello

When in doubt, play track 4 - it is usually the one you want. — © Elvis Costello
When in doubt, play track 4 - it is usually the one you want.
If I doubt whether a track works, I'm just going to play the instrumental version in my set and judge where the crowd takes it.
I doubt God keeps track of how many arguments we win; God may indeed keep track of how well we love.
If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me.
I find in America, actually, I actually prefer it because it's all about energy. It's all about making everyone feel happy and smiling. In the U.K. sometimes people are a bit too concerned about, 'Did you play that track? Did you play that track?' It's not so much about the music in the U.K.
Those who are experts in the fields of surveillance, privacy, and technology say that there need to be two tracks: a policy track and a technology track. The technology track is encryption. It works and if you want privacy, then you should use it.
I play a little bit of everything. I beat on the walls. I whistle. I scream. I go outside and scream because it sounds cool when it's recorded. I play drums on a chair. I snap, clap... just anything to build the track and make it feel like I want it to.
There are many different kinds of doubt. When we doubt the future, we call it worry. When doubt other people we call is suspicion. When we doubt ourselves we call it inferiority. When we doubt God we call it unbelief. When we doubt what we hear on television we call it intelligence! When we doubt everything we call it cynicism or skepticism.
I need some time and space to make sure I'm on the right track with myself and playing music I want to play.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
It's important to run not on the fast track, but on your track. Pretend that you have only six months to live, and make three lists: the things you have to do, want to do, and neither have to do nor want to do. Then, for the rest of your life, forget everything on the third list.
That's the unwritten rule in hip-hop. If I get on a record with you, I want to smash you. That's it. Every MC knows that. If I'm on a track with you, I want to be the best on the track. That's just how it is in hip-hop.
Wins and championships - I want it all. I want there to be no doubt who I am. I want there to be no doubt that I'm a winner.
If you want to measure social media ROI, stop wasting your time doing software demos and attending webinars. Just figure out what you want to track, where you can track it, think about both current customers and new customers, and go do it.
I personally think if you're given four months instead of four weeks on a play, with the people who want to work that way, the play will invariably be different and stronger, and much more fulfilling and richer on all counts. There's no doubt in my mind about it.
Like belief, doubt takes a lot of different forms, from ancient Skepticism to modern scientific empiricism, from doubt in many gods to doubt in one God, to doubt that recreates and enlivens faith and doubt that is really disbelief.
I got a new 4-track cassette recorder a year or so after high school. For a while I would just stare at it thinking, how am I going to do this if I don't play guitar or keyboards? How am I going to write and record a song if I don't know how to play any instruments? I mean, I played the violin, but I didn't know anything about how to work a 4-track.
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