A Quote by Elvis Costello
I'm drawing from two generations back how to think about music, how to think about why you travel to make music, what the possible pitfalls of that are for the way your life is structured. The good and bad of all of it get into the mix of what's created, what you're creating.
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Treat your career like a bad boyfriend...
Your career wont take care of you. It won't call you back or introduce you to its parents. Your career will openly flirt with other people while you are around... You have to care about your work, but not about the result. You have to care about how good you are and how good you feel, but not about how good people think you are or how good people think you look.
What we do is wake up every morning and think about how we get more music out to people; how do we get better music? We breathe, eat, and sleep music.
I do a lot of research, I try to think about how it relates to music and I just do a ton of drawing. It's much easier to work your ideas out that way.
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
If you only think about yourself - how much money can I make, what can I buy, how nice is my house, what kind of fancy car do I have? - over the long term, I think, you get bored. I think your life becomes diminished. The way to live a full life is to think: What can I do for others?
Back in the day, music imitated life. Now it's the opposite way around: life is imitating music. It's like whatever the rappers say, people think that that's how we're supposed to be; but back then, we kind of looked at the streets, and we made music for that.
I have always been far more interested in sound than technique, and how sounds work together, how they can be layered. I think electronic music, in its infancy anyway, allowed us to create music in a way that hadn't really been possible before. It created a new kind of musician.
Pop music is a difficult term to define. I think about good music and bad music. Good music is good music whatever origin it comes from.
I really think kids should understand that music is like learning the alphabet. You put small letters together to make words, and then you use these words to create a story, but with music. And they really need to know how to mix and match those letters and how to come up with something that is really interesting, or speak in metaphors as poets do to show us something maybe we didn't think about.
I think the music that's part of your heritage is what you spend a lot of your early life rejecting. The very idea of folk music would break me out in hives until I was about 28. But I think it's nice when you eventually do come back to it. It's like coming home, and you realize it wasn't so bad after all.
I wanted to talk about how stupid music is. I wanted to talk about how awesome music is, and how depressing it is, and why we all make music if it doesn't last forever.
The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.
I close my eyes and I take a deep breath and I think about my life and how I ended up this way. I think about the ruin, devastation and wreckage I have caused to myself and to others. I think about self-hatred and self-loathing. I think about how and why and what happened and the thoughts come easily, but the answers don't.
I think no matter how you think about your music, you're ultimately in the music 'business.' I think you have to be business-minded in some sense. And for me, the real goal... is positive intention and social change through music. It doesn't mean that can't turn a profit.
Music is what is going to save me," "On the bad days, when I have to look at the cold, hard facts of life, I see that this is not the music business I came up in and I have to be very, very objective and detached and say, 'what's good about it and what's bad about it?' Mostly, I'm finding it good that it's not the same old music business, because the music business I came up in really didn't advance anything I was doing, and I don't think it was particularly kind to a lot of artists.
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
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