A Quote by Elvis Costello
You must hold on to the sort of finger-painting aspect of music. That's something I learned, particularly from listening to Neil Young. Tom Waits is another one, because Tom's music is incredibly sophisticated and beautifully arranged, but he's using a toolbox that's unlike anybody else's.
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I'm a fan of music, some rock music. But I like many types of music. But I suppose a kind of longstanding love of specific bands would be Radiohead, Wilco, Neil Young, Tom Waits, REM.
I heard Tom Waits in this kinky shop on Belmont Street in Chicago. Considering the way I was raised, they were such obscure voices, but their music saved my life - I didn't know who I was before I heard Bob Dylan and Tom Waits.
I can count on one hand the people who are legendary in my book, and Tom Waits is certainly right at the top. It's funny, though: When I tell people that I like Tom's music, it surprises them.
Leonard Cohen can give you "Leonard Cohen" - the self-deprecating wit, the slow, considered speech, the perfectly-honed anecdote - Tom Waits is far more comfortable giving a journalist "Tom Waits" the character, whose conversation is really a series of strange tales, learned or ad-libbed.
I learned how difficult it is to be an artist. There are always compromises. The record company wants you to do this, your fans want you to do this, your family, you can't concentrate on your work. It's a hard thing to be an artist and not give up. That's why I have so much respect for people like Dylan and Neil Young and Tom Waits, because they keep at it. I have a new respect for a true artist.
I'd love to do a song with Tom Waits. Around when I was like 17 or 18, my buddy, D-Money, put me on the Tom Waits and I literally at that point got every one of his albums and kind of studied his music. I like that he provides an entire world for the listener. He's hopefully someone that I could vibe with down the line. I'm not sure how it would sound or even how it could work, but he's always been a huge influence.
I think music is better listened to with other people. Music is better shared. It depends what situation you're in - if it's a song by Tom Waits, it can be nice to be on your own, but if it's something slightly more upbeat, it's amazing to be around people.
I got to watch my heroes meet him and saw how they reacted, whether it was Joe Strummer or Tom Waits. It was peculiar. I'm so stoked to meet Tom Waits, and he's so nervous to meet my dad. It's a head spin.
I know it sounds weird, but the kind of music I write isn't the kind of music that I listen to, which is quite underground, left-of-centre stuff like PJ Harvey and Tom Waits.
Billy Pilgrim music is very emotional. It's one part the craft we learned from people like the Indigo Girls and R.E.M., and one part the Tom Waits craft, where you're trying to create a moment.
I have a piano in my kitchen. I read a great biography about Tom Waits that said that he had a piano in his kitchen; he had a grand piano in his kitchen. And I thought, 'Well, if Tom Waits has one, then I must.'
What I look for in music is artistry, sincerity, and simplicity, and Tom Waits has all of that. I want to make a connection to the creator.
Tom gets by, Navidson succeeds. Tom just wants to be, Navidson must become. And yet despite such obvious differences, anyone who looks past Tom's wide grin and considers his eyes will find surprisingly deep pools of sorrow. Which is how we know they are brothers, because like Tom, Navidson's eyes share the same water.
When I came home my parents were listening to Pakistani Qawwali music, like Nusrat Fateh Ali Khan, they're listening to music from Mali, like Ali Farka Toure, they're listening to Brazilian songwriters, like Gilberto Gil, to opera, to Neil Young even, things you don't hear as a kid in Caracas. I love all the music they turned me onto.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
What I'm worrying about is what Tom is going to say when he starts talking." "Uncle Tom?" "I wish there was something else you could call him except 'Uncle Tom,' " Aunt Dahlia said a little testily. "Every time you do it, I expect to see him turn black and start playing the banjo.
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