A Quote by Elvis Costello
You swore you wouldn't shout. If it's not your punch, then it's your pout.
Related Quotes
Do not give a war cry, do not raise your voices, do not say a word until the day I tell you to shout. Then shout!
...you have to learn where your pain is. You have to burrow down and find the wound, and if the burden of it is too terrible to shoulder, you have to shout it out; you have to shout for help... And then finally, the way through grief is grieving.
I spent the whole first year of my career just on my legs. If you have good legs under you, then you can punch. Anybody can stand and throw their hands and look like an idiot. If you actually want to learn how to punch, you have to work on being balanced on your legs and feeling your legs under you. Feel the ground.
You pout like a trout in a drought...can't get out.
You want to scream, but fish can't shout.
How can you go on stage and shout 'Yeah! Rock'n'roll forever!' and then go to bed at 10 o'clock with a nightcap on, a candle in your hand and a Bible under your arm?
One of those Christmas songs says, "You better not shout, you better not cry, you better not pout." How's my wife going to get along?
That's the most beautiful thing that I like about boxing: you can take a punch. The biggest thing about taking a punch is your ego reacts and there's no better spiritual lesson than trying to not pay attention to your ego's reaction.
Whisper to the flashing water your real name, write your signature in the sand, and shout your identity to the sky until it answers to you in thunder.
'Drag Race' is a fantastic way to catapult your career and to get yourself known for your drag, for your singing, for your love of fashion, or whatever it may be. It's a fabulous platform to shout the things you do well from the top of the roof.
That's the most beautiful thing that I like about boxing: you can take a punch. The biggest thing about taking a punch is your ego reacts and there's no better spiritual lesson than trying to not pay attention to your ego's reaction. That's what takes people out of the fight half the time.
Be happy when you reach the top: cry, clap your hands, shout to the four winds that you did it, let the wind - the wind is always blowing up there - purify your mind, refresh your tired and sweaty feet, open your eyes, clean the dust from your heart. It feels so good, what was just a dream before, a distant vision, is now part of your life, you did it!
When you can assume that your audience holds the same beliefs you do, you can relax and use more normal means of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock -- to the hard of hearing you shout, and for the almost-blind you draw large and startling figures.
You start out giving your hat, then you give your coat, then your shirt, then your skin and finally your soul.
Your enemy shall ye seek; your war shall ye wage, and for the sake of your thoughts! And if your thoughts succumb, your uprightness shall still shout triumph thereby!
I think the quality of sexiness comes from within. It is something that is in you or it isn't and it really doesn't have much to do with breasts or thighs or the pout of your lips.
Be prepared to cut your little extra lines that come after a big punchline and move on to the next joke or routine to give your set more punch and crispness. You can keep them in your set, but if the audience applauds your big line, don't do your tag when it dies down, just move on.
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